© Art Venue 2024

申奉澈

立方体和条纹

在我的“立方体和条纹”系列中,我的愿望是统一玻璃和光。根据光线下落的方式和观察者的位置,反射的形状和颜色会变换并与作品背后墙的纹理相互交织。

艺术品介绍 I 视频:艺术系列背后的故事

 

“山间小路” (Mountain Trail)
130×130×10厘米(面板大小),玻璃,层压,2015年

“BW2317”
78 × 90 × 10厘米,玻璃,层压,2017年

“冬月景观” (Winter Moon Landscape)
115×130×10厘米,玻璃,层压,2017年

“分色 0114”
14×14×14厘米,分色玻璃,层压,2014年

“B4015”
400×180×10厘米,玻璃,层压,2015年

“B3614”
126×126×10厘米,玻璃,层压,2014年

“BW2317”
78×90×10厘米,玻璃,层压,2017年

“四面墙” [中型尺寸], (Four Walls / M)
8×16.8×11厘米,玻璃,层压,2017年

“M3515”
156×125×10厘米,玻璃,层压,2015年

“黑的研究” (Study on Black)
60×60×10厘米,玻璃,层压,2017年

“A&F1917”
110 × 55 × 10厘米,玻璃,层压,2017年

“四面墙” [大尺寸], (Four Walls / L)
10 × 18 × 13厘米,玻璃,层压,2017年

“B3613”
160 ×160×10厘米(面板大小),玻璃,层压,2013年

 

“分色 1216”
110 × 110 × 10  厘米(面板大小),分色玻璃,层压,2016年

“Blauschwarzfuchs”
132 × 109 × 10 厘米,玻璃,层压,2017年

 

“VR1314”
132 × 109 × 10 厘米,玻璃,层压,2014年

 

“VOR1314”
130 × 78 × 10厘米,玻璃,层压,2014年

“VR1314”
130 × 78 × 10 厘米,玻璃,层压,2014年

“G1915”
198 × 53 × 10厘米,玻璃,层压,2015年

“O0916”
96 × 400 × 10厘米,玻璃,层压,2016年

“O0916”
96 × 400 × 10 厘米,玻璃,层压,2016年

“流” (Flow)
76 × 105 × 10厘米(面板尺寸),玻璃,层压,2017年

“O0315”
34 × 130 × 10 厘米,玻璃,层压,2015年

碎玻璃

推动我创作“碎玻璃“系列的动力是我对语言的兴趣。利用碎玻璃片来书写声明和引证,来创造一种在形式和语义之间的冲突。通过这样的冲突,语言获得了新的解读和衍生。

艺术品介绍 I 视频:艺术系列背后的故事

“十字架”
90 × 150 × 7厘米,碎玻璃,2013年

“十字架”
90 × 150 × 7厘米,碎玻璃,2013年

“爱与被爱” (To love and be loved)
160 × 130 × 7厘米(面板尺寸),碎玻璃,2013年

“是的” (Yes)
60 × 170 厘米,碎玻璃,2014年

“是的” (Yes)
60 × 170 厘米,碎玻璃,2014年

“阿姆斯特丹” (Amsterdam)
120 × 15× 7厘米(面板尺寸),碎玻璃,2014年

“我醒来的时候你的名字在我嘴唇上” (I woke up with your name on my lips)
150 × 70 × 7 厘米(面板尺寸),碎玻璃,2014年

“我忘记了爱” (I forgot the love)
120 × 90 × 7 厘米(面板尺寸),碎玻璃,2016年

“保护我远离我想要的” (Protect me from what I want / quote: Jenny Holzer)
147 × 110 × 7  厘米(面板尺寸),碎玻璃,2015年

“爱 信念 希望” (Love faith hope)
150 × 150 × 7  厘米(面板尺寸),碎玻璃,2010年

“遗忘爱” (Forget love)
160 × 90 ×  7厘米(面板尺寸),碎玻璃,2014年

“父亲” (Father)
125 × 25 × 7厘米,碎玻璃,2013年

固体的空无

空白空间是我“固体的空无”系列的灵感来源。我探索在空和饱和状态之间的界限。中空式的扭转通过错综复杂的切割方式来迷惑观察者。雕塑内的形状显得坚固,但在进一步的观察中,观察者意识到形状只是空洞的空间。

艺术品介绍 I 视频:艺术系列背后的故事

“六角” (Hexagon)
12 × 12 × 40 厘米,玻璃,层压,2016年

“几何” (Geometry)
12 × 12 × 40 厘米,玻璃,层压,2016年

“宝塔” (House Pagoda)
8 × 10 × 20.5厘米,玻璃,层压,2016年

“米塔” (Rice Pagoda)
10 × 10 × 30厘米,玻璃,层压,2016年

“米塔” (Rice Pagoda)
10 × 10 × 30厘米,玻璃,层压,2016年

艺术作品集

展览

以往展览

“毕业展”,AdBK ,慕尼黑,德国,2017年
(点击图片开始360度查看)

碎玻璃装置作品,圣保罗教堂,慕尼黑,德国,2013年

个展,“光的回声”, Kunstraum Seven Elohim 画廊,慕尼黑,德国,2015年

群展, “转型“,Galerie Tanit 画廊,慕尼黑,德国,2019年

应用艺术Upper Bavarian Prize获奖展,Schafhof,弗赖辛,德国,2017年

群展, “Bender Schwinn Project 2”, Galerie Bender 画廊 ,慕尼黑,德国,2017年

个展,“光影的重量”, Galerie Tanit 画廊,慕尼黑,德国,2018年

下载

抽象

20180924_abstract_zh.pdf

艺术品介绍

20180924_catalogue_texts_zh.pdf

简历

20190419_cv_zh.pdf

媒体素材(cmyk格式)

20190419_press_kit_cmyk.zip

Abstract

20180924_abstract_en.pdf

Catalogue Texts

20180924_catalogue_texts_en.pdf

CV

20190419_cv_en.pdf

媒体素材(rgb格式)

20190419_press_kit_rgb.zip

申奉澈

玻璃,虽然在我的创作过程中至关重要,但它仅仅是我的艺术容器。通过反射和折射光线,我的玻璃产生了新的和独特的形状。因此图形不会一层不变。它们结合了偶然性和持续性,随着光线的着落和观察者的位置而不断变化。

简历

联系

© Art Venue 2024

申奉澈

CUBES AND STRIPES

In my series cubes and stripes my desire is to unify glass and light. Depending on the way the light falls and the position of the observer, the shapes and colours of reflections change and intertwine with the textures of the wall behind.

catalogue text I making-of video

Alpenweg (Mountain Trail)
130 × 130 × 10 cm (panel size), glass, laminated, 2015

BW2317
78 × 90 × 10 cm, glass, laminated, 2017

Winterliche Mondlandschaft (Winter Moon Landscape)
115 × 130 × 10 cm, glass, laminated, 2017

Dichroic 0114
14 × 14 × 14 cm, dichroic glass, laminated, 2014

B4015
400 × 180 × 10 cm, glass, laminated, 2015

B3614
126 × 126 × 10 cm, glass, laminated, 2014

BW2317
78 × 90 × 10 cm, glass, laminated, 2017

Four Walls (M)
8 × 16.8 × 11 cm, glass, laminated, 2017

M3515
156 × 125 × 10 cm, glass, laminated, 2015

Study on Black
60 × 60 × 10 cm, glass, laminated, 2017

A&F1917
110 × 55 × 10 cm, glass, laminated, 2017

Four Walls (L)
10 × 18 × 13 cm, glass, laminated, 2017

B3613
160 × 160 × 10 cm (panel size), glass, laminated, 2013

Dichroic 1216
110 × 110 × 10 cm (panel size), dichroic glass, laminated, 2016

Blauschwarzfuchs
132 × 109 × 10 cm, glass, laminated, 2017

VR1314
130 × 78 × 10 cm, glass, laminated, 2014

VOR1314
130 × 78 × 10 cm, glass, laminated, 2014

VR1314
130 × 78 × 10 cm, glass, laminated, 2014

G1915
198 × 53 × 10 cm, glass, laminated, 2015

O0916
96 × 400 × 10 cm, glass, laminated, 2016

O0916
96 × 400 × 10 cm, glass, laminated, 2016

Flow
76 × 105 × 10 cm (panel size), glass, laminated, 2017

O0315
34 × 130 × 10 cm, glass, laminated, 2015

BROKEN GLASS

The driving force behind my series broken glass is my interest in language. I write statements and quotations out of glass sherds, creating conflict between form and meaning. Through this conflict, the language gains new meaning and grows.

catalogue text I making-of video

Cross
90 × 150 × 7 cm, broken glass, 2013

Cross
90 × 150 × 7 cm, broken glass, 2013

To love and be loved
160 × 130 × 7 cm (panel size), broken glass, 2013

Yes
60 × 170 cm, broken glass, 2014

Yes
60 × 170 cm, broken glass, 2014

Amsterdam
120 × 15 × 7 cm (panel size), broken glass, 2014

I woke up with your name on my lips
150 × 70 × 7 cm (panel size), broken glass, 2014

Ich habe die Liebe vergessen (I forgot the love)
120 × 90 × 7 cm (panel size), broken glass, 2016

Protect me from what I want (quote: Jenny Holzer)
147 × 110 × 7 cm (panel size), broken glass, 2015

Love Faith Hope
150 × 150 × 7 cm (panel size), broken glass, 2010

Vergiss die Liebe (forget love)
160 × 90 × 7 cm (panel size), broken glass, 2014

Vater (Father)
125 × 25 × 7 cm, broken glass, 2013

VOID IN SOLID

Empty space is the source of my inspiration for the series void in solid. I explore the border between emptiness and saturation. The hollow forms twisting their way through intricately cut layers confuse the observer. Shapes within the sculptures appear solid but on further reflection the observer realizes the shapes are simply empty space.

catalogue text I making-of video

Hexagon
12 × 12 × 40 cm, glass, laminated, 2016

Geometry
12 × 12 × 40 cm, glass, laminated, 2016

House Pagoda
8 × 10 × 20.5 cm, glass, laminated, 2016

Rice Pagoda
10 × 10 × 30 cm, glass, laminated, 2016

Rice Pagoda
10 × 10 × 30 cm, glass, laminated, 2016

Catalogue

exhibitions

upcoming/present

past

360° view of Bongchulls Diploma Exhibition Februar 2017
(click on picture to start 360° tour)

Broken Glass Installation, St. Paul’s Church, Munich, 2013

Solo Exhibition, Kunstraum Seven Elohim, Munich, 2015

Between the Lines, Galerie Tanit, Munich, 2017

Upper Bavarian Prize for Applied Art, Schafhof, Freising, 2013

Bender Schwinn Project 2, Galerie Bender, Munich, 2017

The Weight of the Shadow, Galerie Tanit, Munich, 2018

申奉澈

Glass, while pivotal in my work, is merely the vessel through which my art is created. By reflecting and refracting light, my glass shapes generate something new and unique. The resulting patterns never stay the same. They emerge by coincidence and they are constantly changing depending on where the light falls and where the observer stands.

이력서

Kontakt

© Art Venue 2024

申奉澈

CUBES AND STRIPES

In my series cubes and stripes my desire is to unify glass and light. Depending on the way the light falls and the position of the observer, the shapes and colours of reflections change and intertwine with the textures of the wall behind.

catalogue text I making-of video

Alpenweg (Mountain Trail)
130 × 130 × 10 cm (panel size), glass, laminated, 2015

BW2317
78 × 90 × 10 cm, glass, laminated, 2017

Winterliche Mondlandschaft (Winter Moon Landscape)
115 × 130 × 10 cm, glass, laminated, 2017

Dichroic 0114
14 × 14 × 14 cm, dichroic glass, laminated, 2014

B4015
400 × 180 × 10 cm, glass, laminated, 2015

B3614
126 × 126 × 10 cm, glass, laminated, 2014

BW2317
78 × 90 × 10 cm, glass, laminated, 2017

Four Walls (M)
8 × 16.8 × 11 cm, glass, laminated, 2017

M3515
156 × 125 × 10 cm, glass, laminated, 2015

Study on Black
60 × 60 × 10 cm, glass, laminated, 2017

A&F1917
110 × 55 × 10 cm, glass, laminated, 2017

Four Walls (L)
10 × 18 × 13 cm, glass, laminated, 2017

B3613
160 × 160 × 10 cm (panel size), glass, laminated, 2013

Dichroic 1216
110 × 110 × 10 cm (panel size), dichroic glass, laminated, 2016

Blauschwarzfuchs
132 × 109 × 10 cm, glass, laminated, 2017

VR1314
130 × 78 × 10 cm, glass, laminated, 2014

VOR1314
130 × 78 × 10 cm, glass, laminated, 2014

VR1314
130 × 78 × 10 cm, glass, laminated, 2014

G1915
198 × 53 × 10 cm, glass, laminated, 2015

O0916
96 × 400 × 10 cm, glass, laminated, 2016

O0916
96 × 400 × 10 cm, glass, laminated, 2016

Flow
76 × 105 × 10 cm (panel size), glass, laminated, 2017

O0315
34 × 130 × 10 cm, glass, laminated, 2015

BROKEN GLASS

The driving force behind my series broken glass is my interest in language. I write statements and quotations out of glass sherds, creating conflict between form and meaning. Through this conflict, the language gains new meaning and grows.

catalogue text I making-of video

Cross
90 × 150 × 7 cm, broken glass, 2013

Cross
90 × 150 × 7 cm, broken glass, 2013

To love and be loved
160 × 130 × 7 cm (panel size), broken glass, 2013

Yes
60 × 170 cm, broken glass, 2014

Yes
60 × 170 cm, broken glass, 2014

Amsterdam
120 × 15 × 7 cm (panel size), broken glass, 2014

I woke up with your name on my lips
150 × 70 × 7 cm (panel size), broken glass, 2014

Ich habe die Liebe vergessen (I forgot the love)
120 × 90 × 7 cm (panel size), broken glass, 2016

Protect me from what I want (quote: Jenny Holzer)
147 × 110 × 7 cm (panel size), broken glass, 2015

Love Faith Hope
150 × 150 × 7 cm (panel size), broken glass, 2010

Vergiss die Liebe (forget love)
160 × 90 × 7 cm (panel size), broken glass, 2014

Vater (Father)
125 × 25 × 7 cm, broken glass, 2013

VOID IN SOLID

Empty space is the source of my inspiration for the series
void in solid. I explore the border between emptiness and saturation. Forms twisting their way through hollowed glass layers confuse the observer. Shapes within the sculptures appear solid but on further reflection the observer realizes the shapes are simply empty space.

catalogue text I making-of video

Hexagon
12 × 12 × 40 cm, glass, laminated, 2016

Geometry
12 × 12 × 40 cm, glass, laminated, 2016

House Pagoda
8 × 10 × 20.5 cm, glass, laminated, 2016

Rice Pagoda
10 × 10 × 30 cm, glass, laminated, 2016

Rice Pagoda
10 × 10 × 30 cm, glass, laminated, 2016

a

b

c

d

Catalogue

Exhibitions

past

Diploma Exhibition, Academy of Fine Arts, Munich, Germany, 2017
(click on picture to start 360° tour)

Broken Glass Installation, St. Paul Church, Munich, Germany, 2013

Solo Exhibition, The Echo of Light, Kunstraum Seven Elohim, Munich, Germany, 2015

Duo Exhibition, Transformation, Galerie Tanit, Munich, Germany, 2019

Upper Bavarian Prize for Applied Art, Schafhof, Freising, Germany, 2013

Group Exhibition, Bender Schwinn Project 2, Galerie Bender, Munich, Germany, 2017

Solo Exhibition, The Weight of the Shadow, Galerie Tanit, Munich, Germany, 2018

Downloads

Abstract

20180924_abstract_en.pdf

Catalogue Texts

20180924_catalogue_texts_en.pdf

CV

20190419_cv_en.pdf

Press Kit CMYK

20190419_press_kit_cmyk.zip

Press Kit RGB

20190419_press_kit_rgb.zip

申奉澈

Glass, while pivotal in my work, is merely the vessel through which my art is created. By reflecting and refracting light, my glass shapes generate something new and unique. The resulting patterns never stay the same. They emerge by coincidence and they are constantly changing depending on where the light falls and where the observer stands.

CV

 

Contact

© Art Venue 2024

申奉澈

CUBES AND STRIPES

In meiner Werkreihe cubes and stripes ist es mein Ziel, Glas und Licht zu vereinen. Abhängig von der Art und Weise wie das Licht fällt und der Position des Beobachters, ändern sich die Formen und Farben der Reflexionen und verbinden sich mit den
Texturen der dahinterliegenden Wand.

Katalogtext I Making-Of Video

Alpenweg
130 × 130 × 10 cm (Panelgröße), Glas, laminiert, 2015

BW2317
78 × 90 × 10 cm, Glas, laminiert, 2017

Winterliche Mondlandschaft
115 × 130 × 10 cm, Glas, lamininiert, 2017

Dichroic 0114
14 × 14 × 14 cm, dichroitisches Glas, laminiert, 2014

B4015
400 × 180 × 10 cm, Glas, lamininiert, 2015

B3614
126 × 126 × 10 cm, Glas, lamininiert, 2014

BW2317
78 × 90 × 10 cm, Glas, lamininiert, 2017

Four Walls (M)
8 × 16.8 × 11 cm, Glas, lamininiert, 2017

M3515
156 × 125 × 10 cm, Glas, lamininiert, 2015

Study on Black
60 × 60 × 10 cm, Glas, lamininiert, 2017

A&F1917
110 × 55 × 10 cm, Glas, lamininiert, 2017

Four Walls (L)
10 × 18 × 13 cm, Glas, lamininiert, 2017

B3613
160 × 160 × 10 cm (Panelgröße), Glas, lamininiert, 2013

Dichroic 1216
110 × 110 × 10 cm (panel size), dichroitisches Glas, lamininiert, 2016

Blauschwarzfuchs
132 × 109 × 10 cm, Glas, lamininiert, 2017

VR1314
130 × 78 × 10 cm, Glas, lamininiert, 2014

VOR1314
130 × 78 × 10 cm, Glas, lamininiert, 2014

VR1314
130 × 78 × 10 cm, Glas, lamininiert, 2014

G1915
198 × 53 × 10 cm, Glas, lamininiert, 2015

O0916
96 × 400 × 10 cm, Glas, lamininiert, 2016

O0916
96 × 400 × 10 cm, Glas, lamininiert, 2016

Flow
76 × 105 × 10 cm (Panelgröße), Glas, lamininiert, 2017

O0315
34 × 130 × 10 cm, Glas, lamininiert, 2015

BROKEN GLASS

Die treibende Kraft hinter meiner Werkreihe broken glass
ist mein Interesse an der Sprache. Ich schreibe Aussagen und Zitate mit Glasscherben und stelle einen Konflikt zwischen Form und Bedeutung her. Durch diesen Konflikt gewinnt die
Sprache an Bedeutung.

Katalogtext I Making-Of Video

Cross
90 × 150 × 7 cm, broken glass, 2013

Cross
90 × 150 × 7 cm, broken glass, 2013

To love and be loved (Lieben und geliebt zu werden)
160 × 130 × 7 cm (Panelgröße), broken glass, 2013

Yes
60 × 170 cm, broken glass, 2014

Yes
60 × 170 cm, broken glass, 2014

Amsterdam
120 × 15 × 7 cm (Panelgröße), broken glass, 2014

I woke up with your name on my lips (Ich bin aufgewacht mit deinem Namen auf meinen Lippen)
150 × 70 × 7 cm (Panlegröße), broken glass, 2014

Ich habe die Liebe vergessen
120 × 90 × 7 cm (Panelgröße), broken glass, 2016

Protect me from what I want (Schütze mich von dem was ich will, Zitat: Jenny Holzer)
147 × 110 × 7 cm (Panelgröße), broken glass, 2015

Love Faith Hope (Liebe Glaube Hoffnung)
150 × 150 × 7 cm (Panelgröße), broken glass, 2010

Vergiss die Liebe
160 × 90 × 7 cm (Panelgröße), broken glass, 2014

Vater
125 × 25 × 7 cm, broken glass, 2013

VOID IN SOLID

Der leere Raum ist die Quelle für meine Inspiration zu
meiner Werkreihe void in solid.  Ich erkunde die Grenze zwischen der Leere und Fülle. Formen winden sich durch ausgehöhlte Glas-
schichten und verwirren den Betrachter. Die Gebilde innerhalb der Skulpturen erscheinen solide, entpuppen sich bei
genauerem Hinsehen jedoch als leere Räume.

Katalogtext I Making-Of Video

Hexagon
12 × 12 × 40 cm, Glas, laminiert, 2016

Geometry
12 × 12 × 40 cm, Glas, laminiert, 2016

House Pagoda
8 × 10 × 20.5 cm, Glas, laminiert, 2016

Rice Pagoda
10 × 10 × 30 cm, Glas, laminiert, 2016

Rice Pagoda
10 × 10 × 30 cm, Glas, laminiert, 2016

Katalog

Ausstellungen

Zurückliegend

Diplomausstellung, Kunstakademie, München, Deutschland, 2017
(Mouseklick auf das Bild um 360° Tour zu starten)

Broken Glass Installation, St. Paul’s Kirche, München, Deutschland, 2013

Soloausstellung, The Echo of Light, Kunstraum Seven Elohim, München, Deutschland, 2015

Duoausstellung, Transformation, Galerie Tanit, München, Deutschland, 2017

Oberbayerischer Förderpreis für Angewandte Kunst, Schafhof, Freising, Deutschland, 2013

Gruppenausstellung, Bender Schwinn Projekt 2, Galerie Bender, München, Deutschland, 2017

Soloausstellung, The Weight of the Shadow, Galerie Tanit, München, Deutschland, 2018

Downloads

Kurzdarstellung

20180924_abstract_de.pdf

Katalogtexte

20180924_catalogue_texts_de.pdf

Lebenslauf

20190419_cv_de.pdf

Press Kit CMYK

20190419_press_kit_cmyk.zip

Abstract

20180924_abstract_en.pdf

Catalogue Texts

20180924_catalogue_texts_en.pdf

CV

20190419_cv_en.pdf

Press Kit RGB

20190419_press_kit_rgb.zip

申奉澈

Glas, gleichwohl essenziell für meine Arbeit, ist es doch nur das Mittel, durch welches meine Kunst entsteht. Durch das Reflektieren und Brechen des Lichts schaffen meine Glasformen etwas Neues und Einzigartiges. Die dabei entstehenden Muster bleiben nie gleich. Sie tauchen zufällig auf und ändern sich ständig, je nach Lichteinfall und Betrachtungswinkel des Beobachters.

Lebenslauf

Kontakt

© Art Venue 2024

申奉澈

CUBES AND STRIPES

In my series cubes and stripes my desire is to unify glass and light. Depending on the way the light falls and the position of the observer, the shapes and colours of reflections change and intertwine with the textures of the wall behind. catalogue text I making-of video

Böhmischerwaldsee, 2018, 107 x 100 x 10 cm, glass, laminated

Hymnen an die Nacht, 2019, 90 x 92 x 10 cm, glass, laminated

Summer-flowers, 2019, 118 × 365 ×10 cm, glass, laminated

Blue & white, 2019, 80 x 80 cm, glass, massive glass

Alpenweg (Mountain Trail), 2015, 130 × 130 × 10 cm (panel size), glass, laminated

BW2317, 2017, 78 × 90 × 10 cm, glass, laminated

Winterliche Mondlandschaft (Winter Moon Landscape), 2017, 115 × 130 × 10 cm, glass, laminated

Dichroic 0114, 2014, 14 × 14 × 14 cm, dichroic glass, laminated

B4015, 2015, 400 × 180 × 10 cm, glass, laminated

B3614, 2014, 126 × 126 × 10 cm, glass, laminated

BW2317, 2017, 78 × 90 × 10 cm, glass, laminated

Four Walls (M), 2017, 8 × 16.8 × 11 cm, glass, laminated

M3515, 2015, 156 × 125 × 10 cm, glass, laminated

Study on Black, 2017, 60 × 60 × 10 cm, glass, laminated

A&F1917, 2017, 110 × 55 × 10 cm, glass, laminated

Four Walls (L), 2017, 10 × 18 × 13 cm, glass, laminated

B3613, 2013, 160 × 160 × 10 cm (panel size), glass, laminated

Dichroic 1216, 2016, 110 × 110 × 10 cm (panel size), dichroic glass, laminated

Blauschwarzfuchs, 2017, 132 × 109 × 10 cm, glass, laminated

VR1314, 2014, 130 × 78 × 10 cm, glass, laminated

VOR1314, 2014, 130 × 78 × 10 cm, glass, laminated

G1915, 2015, 198 × 53 × 10 cm, glass, laminated

O0916, 2016, 96 × 400 × 10 cm, glass, laminated

Flow, 2017, 76 × 105 × 10 cm (panel size), glass, laminated

O0315, 2015, 34 × 130 × 10 cm, glass, laminated

BROKEN GLASS

The driving force behind my series broken glass is my interest in language. I write statements and quotations out of glass sherds, creating conflict between form and meaning. Through this conflict, the language gains new meaning and grows. catalogue text I making-of video

To love and be loved, 2013, 160 × 130 × 7 cm (panel size), broken glass

3 Formen, 2019, 110 x 30 x 7 cm, broken glass (Photo by Christoph Knoch)

When we were young, 2019, 90x90cm, broken glass

Yes, 2014, 60 × 170 cm, broken glass

Yes, 2014, 60 × 170 cm, broken glass

Amsterdam, 2014, 120 × 15 × 7 cm (panel size), broken glass

I woke up with your name on my lips, 2014, 150 × 70 × 7 cm (panel size), broken glass

Ich habe die Liebe vergessen (I forgot the love), 2016, 120 × 90 × 7 cm (panel size), broken glass

Protect me from what I want(quote: Jenny Holzer), 2015, 147 × 110 × 7 cm(panel size), broken glass

Love Faith Hope, 2010, 150 × 150 × 7 cm (panel size), broken glass

Vergiss die Liebe (forget love), 2014, 160 × 90 × 7 cm (panel size), broken glass

Vater (Father), 2013, 125 × 25 × 7 cm, broken glass

VOID IN SOLID

Empty space is the source of my inspiration for the series void in solid. I explore the border between emptiness and saturation. Forms twisting their way through hollowed glass layers confuse the observer. Shapes within the sculptures appear solid but on further reflection the observer realizes the shapes are simply empty space. catalogue text I making-of video

Hexagon, 2016, 12 × 12 × 40 cm, glass, laminated

Geometry, 2016, 12 × 12 × 40 cm, glass, laminated

House Pagoda, 2016, 8 × 10 × 20.5 cm, glass, laminated

Rice Pagoda, 2016, 10 × 10 × 30 cm, glass, laminated

Rice Pagoda, 2016, 10 × 10 × 30 cm, glass, laminated

a b

c d

Catalogue

Exhibitions

past

Diploma Exhibition, Academy of Fine Arts, Munich, Germany, 2017 (click on picture to start 360° tour)

Broken Glass Installation, St. Paul Church, Munich, Germany, 2013

Solo Exhibition, The Echo of Light, Kunstraum Seven Elohim, Munich, Germany, 2015

Duo Exhibition, Transformation, Galerie Tanit, Munich, Germany, 2019

Upper Bavarian Prize for Applied Art, Schafhof, Freising, Germany, 2013

Group Exhibition, Bender Schwinn Project 2, Galerie Bender, Munich, Germany, 2017

Solo Exhibition, The Weight of the Shadow, Galerie Tanit, Munich, Germany, 2018

Downloads

Abstract

20180924_abstract_en.pdf

Catalogue Texts

20180924_catalogue_texts_en.pdf

CV

20190419_cv_en.pdf

Press Kit CMYK

20190419_press_kit_cmyk.zip

Press Kit RGB

20190419_press_kit_rgb.zip

申奉澈

Glass, while pivotal in my work, is merely the vessel through which my art is created. By reflecting and refracting light, my glass shapes generate something new and unique. The resulting patterns never stay the same. They emerge by coincidence and they are constantly changing depending on where the light falls and where the observer stands.

CV

 

Contact

© Art Venue 2024

申奉澈

Passwort geschützt

Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet.

Alpenweg
130 × 130 × 10 cm (Panelgröße), Glas, laminiert, 2015

Winterliche Mondlandschaft
115 × 130 × 10 cm, Glas, lamininiert, 2017

申奉澈


© Art Venue 2024

申奉澈

申奉澈

1. An Overview of Data Protection

(a) General

The following gives a simple overview of what happens to your personal information when you visit this website. Personal information is any data with which you could be personally identified. Detailed information on the subject of data protection can be found in our privacy policy below.

(b) Data collection on this website

Who is responsible for the data collection on this website?
The data collected on this website are processed by the website operator. The operator’s contact details can be found in the website’s imprint.

How do we collect your data?
Some data are collected when you provide it to us. This could, for example, be data you enter on a contact form. Other data are collected automatically by our IT systems when you visit the website. These data are primarily technical data such as the browser and operating system you are using or when you accessed the page. These data are collected automatically as soon as you enter this website.

What do we use your data for?
Part of the data is collected to ensure the proper functioning of this website. Other data can be used to analyse how visitors use this site.

What rights do you have regarding your data?
You always have the right to request information about your stored data, its origin, its recipients, and the purpose of its collection at no charge. You also have the right to request that it be corrected, blocked, or deleted. You can contact us at any time using the address given in the imprint if you have further questions about the issue of privacy and data protection. You may also, of course, file a complaint with the competent regulatory authorities.

(c) Analytics and third-party tools

When visiting this website, statistical analyses may be made of your surfing behaviour. This happens primarily using cookies and analytics. The analysis of your surfing behaviour is usually anonymous, i.e. we will not be able to identify you from this data. You can object to this analysis or prevent it by not using certain tools. Detailed information can be found in the following privacy policy.

You can object to this analysis. We will inform you below about how to exercise your options in this regard.

 

2. General Information and Mandatory Information

(a) Data protection

The operators of this website take the protection of your personal data very seriously. We treat your personal data as confidential and in accordance with the statutory data protection regulations and this privacy policy.

If you use this website, various pieces of personal data will be collected. Personal information is any data with which you could be personally identified. This privacy policy explains what information we collect and what we use it for. It also explains how and for what purpose this happens. Please note that data transmitted via the internet (e.g. via email communication) may be subject to security breaches. Complete protection of your data from third-party access is not possible.

(b) Notice concerning the party responsible for this website

The party responsible for processing data on this website is:

Art Venue c/o
ARCONS GmbH
Amalienstraße 45
80799 Munich
Germany

Telephone: +49 (0)89 215 417 71
Email: [email protected]

The responsible party is the natural or legal person who alone or jointly with others decides on the purposes and means of processing personal data (names, email addresses, etc.).

(c) Revocation of your consent to the processing of your data

Many data processing operations are only possible with your express consent. You may revoke your consent at any time with future effect. An informal email making this request is sufficient. The data processed before we receive your request may still be legally processed.

(d) Right to file complaints with regulatory authorities

If there has been a breach of data protection legislation, the person affected may file a complaint with the competent regulatory authorities. The competent regulatory authority for matters related to data protection legislation is the data protection officer of the German state in which our company is headquartered. A list of data protection officers and their contact details can be found at the following link: https://www.bfdi.bund.de/DE/Infothek/Anschriften_Links/anschriften_links-node.html.

(e) Right to data portability

You have the right to have data which we process based on your consent or in fulfilment of a contract automatically delivered to yourself or to a third party in a standard, machine-readable format. If you require the direct transfer of data to another responsible party, this will only be done to the extent technically feasible.

(f) SSL or TLS encryption

This site uses SSL or TLS encryption for security reasons and for the protection of the transmission of confidential content, such as the inquiries you send to us as the site operator. You can recognize an encrypted connection in your browser’s address line when it changes from “http://” to “https://” and the lock icon is displayed in your browser’s address bar. If SSL or TLS encryption is activated, the data you transfer to us cannot be read by third parties.

(g) Information, blocking, deletion

As permitted by law, you have the right to be provided at any time with information free of charge about any of your personal data that is stored as well as its origin, the recipient and the purpose for which it has been processed. You also have the right to have this data corrected, blocked or deleted. You can contact us at any time using the address given in the imprint if you have further questions on the topic of personal data.

 

3. Data Collection on our Website

(a) Cookies

Some of our web pages use cookies. Cookies do not harm your computer and do not contain any viruses. Cookies help make our website more user-friendly, efficient, and secure. Cookies are small text files that are stored on your computer and saved by your browser.

Most of the cookies we use are so-called “session cookies.” They are automatically deleted after your visit. Other cookies remain in your device’s memory until you delete them. These cookies make it possible to recognize your browser when you next visit the site.

You can configure your browser to inform you about the use of cookies so that you can decide on a case-by-case basis whether to accept or reject a cookie. Alternatively, your browser can be configured to automatically accept cookies under certain conditions or to always reject them, or to automatically delete cookies when closing your browser. Disabling cookies may limit the functionality of this website.

Cookies which are necessary to allow electronic communications or to provide certain functions you wish to use (such as the shopping cart) are stored pursuant to Art. 6 paragraph 1, letter f of DSGVO. The website operator has a legitimate interest in the storage of cookies to ensure an optimized service provided free of technical errors. If other cookies (such as those used to analyse your surfing behaviour) are also stored, they will be treated separately in this privacy policy.

(b) Server log files

The website provider automatically collects and stores information that your browser automatically transmits to us in “server log files”. These are:

  • Browser type and browser version
  • Operating system used
  • Referrer URL
  • Host name of the accessing computer
  • Time of the server request
  • IP address

These data will not be combined with data from other sources.

The basis for data processing is Art. 6 (1) (f) DSGVO. The website operator has a legitimate interest to ensure an optimized service provided free of technical errors. Therefore, server log files have to be stored.

(c) Contact form

Should you send us questions via the contact form, we will collect the data entered on the form, including the contact details you provide, to answer your question and any follow-up questions. We do not share this information without your permission.

We will, therefore, process any data you enter onto the contact form only with your consent per Art. 6 (1)(a) DSGVO. You may revoke your consent at any time. An informal email making this request is sufficient. The data processed before we receive your request may still be legally processed.

We will retain the data you provide on the contact form until you request its deletion, revoke your consent for its storage, or the purpose for its storage no longer pertains (e.g. after fulfilling your request). Any mandatory statutory provisions, especially those regarding mandatory data retention periods, remain unaffected by this provision.

 

4. Social Media

(a) AddToAny – bookmark & share

This website uses the AddToAny button for bookmarking and sharing. The service is provided by AddToAny (http://www.addtoany.com/) and allows to share contents of this website comfortably in social services and networks without initially sending any personal data to these social networks.

Your click on the corresponding plug-in button of AddToAny (e.g. WhatsApp™ or Twitter™) either opens the relevant plugin directly or a selector window opens with different plug-ins from social service providers. Your click on any one of these buttons causes that you can interact with the respective plugin. At the same time, you grant your consent to data being transferred to the corresponding provider and acknowledge that information from your browser can now be transmitted to and directly stored by that provider.

Data is only collected if you activate a social network through using the AddToAny button and if you simultaneously are logged with your private access data into your personal user account at the respective social network. When you first sat up your user account with the social network, you have already given your consent to the relevant data protection regulations. If you are logged in with a social network and then invoke it via the AddToAny button, you do so under your own responsibility for your data and based on the respective social network’s data protection provisions recognized by you as the social network’s member.

According to AddToAny’s privacy policy no personal data is being stored: http://www.addtoany.com/privacy. In addition, AddToAny provides a way to opt-out of a large number of networks. You can perform the opt-out directly through the following link: http://www.networkadvertising.org/managing/opt_out.asp.

With use of the AddToAny button you agree with AddToAny’s data processing and the transmission of data to AddToAny. Our web site does not collect data when you use the AddToAny’s service and receives no data arising from the use of the AddToAny share button.

 

5. Analytics and Advertising

(a) Google analytics

This website uses Google Analytics, a web analytics service. It is operated by Google Inc., 1600 Amphitheatre Parkway, Mountain View, CA 94043, USA.

Google Analytics uses so-called “cookies”. These are text files that are stored on your computer and that allow an analysis of the use of the website by you. The information generated by the cookie about your use of this website is usually transmitted to a Google server in the USA and stored there.

Google Analytics cookies are stored based on Art. 6 (1) (f) DSGVO. The website operator has a legitimate interest in analysing user behaviour to optimize both its website and its advertising.

(b) IP anonymization

We have activated the IP anonymization feature on this website. Your IP address will be shortened by Google within the European Union or other parties to the Agreement on the European Economic Area prior to transmission to the United States. Only in exceptional cases is the full IP address sent to a Google server in the US and shortened there. Google will use this information on behalf of the operator of this website to evaluate your use of the website, to compile reports on website activity, and to provide other services regarding website activity and Internet usage for the website operator. The IP address transmitted by your browser as part of Google Analytics will not be merged with any other data held by Google.

(c) Browser plugin

You can prevent these cookies being stored by selecting the appropriate settings in your browser. However, we wish to point out that doing so may mean you will not be able to enjoy the full functionality of this website. You can also prevent the data generated by cookies about your use of the website (incl. your IP address) from being passed to Google, and the processing of these data by Google, by downloading and installing the browser plugin available at the following link: https://tools.google.com/dlpage/gaoptout?hl=en.

(d) Objecting to the collection of data

You can prevent the collection of your data by Google Analytics by clicking on the following link. An opt-out cookie will be set to prevent your data from being collected on future visits to this site: Disable Google Analytics

For more information about how Google Analytics handles user data, see Google’s privacy policy: https://support.google.com/analytics/answer/6004245?hl=en.

 

6. Linking to or from Other Websites

This website may contain links to other websites , operated by our affiliates, partners or third parties. Please be advised that the practices described in this privacy policy do not apply to information gathered through these other websites. These other sites may also send their own cookies to you, collect your data or solicit your personal information. Always be aware of where you end up. We are not responsible for the actions and privacy policies of third parties and other websites. We encourage you to be aware of when you leave this site and read the privacy policies of each and every website that you visit.

 

7. Disclaimer

We endeavour to keep the information of this websites accurate, including but not limited to, text, photographs, graphics and figures. This information is provided “as is” and we disclaim all warranties, expressed or implied about the completeness, accuracy, reliability, suitability or availability with respect to the website or the information for any purpose to the extent permitted by applicable law. Further, we disclaim any warranty that our websites are free from infection by virus or anything else that has contaminating or destructive properties. Except as provided by applicable law, we do not accept any responsibility for damage, resulting from your use or inability to use this site or any content, services, or materials provided by or on this site.

 

8. Copyright

You may not reproduce, republish, translate or in any way distribute any parts of this website or the content without the written permission from the party responsible for this website, except that you may make one copy or download to a local hard disk for your personal and non-commercial use only. Any copies of the content which has been duly and legally shared are only made available by the party responsible for this website on the condition that you will not alter or modify such content, nor remove or change any proprietary notice on such content.

 

9. Changes

As this website continues to develop, we may change or add new services or features to our site. In the event that these additions affect this privacy policy, this document will be updated appropriately. Please check back regularly for changes.

 

Last updated: June 2018

 

© Art Venue 2024

申奉澈

申奉澈

1. Datenschutz auf einen Blick

(a) Allgemeine Hinweise

Die folgenden Hinweise geben einen einfachen Überblick darüber, was mit Ihren personenbezogenen Daten passiert, wenn Sie diese Webseite besuchen. Personenbezogene Daten sind alle Daten, mit denen Sie persönlich identifiziert werden können. Ausführliche Informationen zum Thema Datenschutz entnehmen Sie bitte der unter diesem Text aufgeführten Datenschutzerklärung.

(b) Datenerfassung auf dieser Webseite

Wer ist verantwortlich für die Datenerfassung auf dieser Webseite?
Die Datenverarbeitung auf dieser Webseite erfolgt durch den Webseitenbetreiber. Dessen Kontaktdaten können Sie dem Impressum dieser Webseite entnehmen.

Wie erfassen wir Ihre Daten?
Ihre Daten werden zum einen dadurch erhoben, dass Sie uns diese mitteilen. Hierbei kann es sich z.B. um Daten handeln, die Sie in ein Kontaktformular eingeben. Andere Daten werden automatisch beim Besuch der Webseite durch unsere IT-Systeme erfasst. Das sind vor allem technische Daten (z.B. Internetbrowser, Betriebssystem oder Uhrzeit des Seitenaufrufs). Die Erfassung dieser Daten erfolgt automatisch, sobald Sie diese Webseite besuchen.

Wofür nutzen wir Ihre Daten?
Ein Teil der Daten wird erhoben, um eine fehlerfreie Bereitstellung der Webseite zu gewährleisten. Andere Daten können zur Analyse Ihres Nutzerverhaltens verwendet werden.

Welche Rechte haben Sie bezüglich Ihrer Daten?
Sie haben jederzeit das Recht unentgeltlich Auskunft über Herkunft, Empfänger und Zweck Ihrer gespeicherten personenbezogenen Daten zu erhalten. Sie haben außerdem ein Recht, die Berichtigung, Sperrung oder Löschung dieser Daten zu verlangen. Hierzu sowie zu weiteren Fragen zum Thema Datenschutz können Sie sich jederzeit unter der im Impressum angegebenen Adresse an uns wenden. Des Weiteren steht Ihnen ein Beschwerderecht bei der zuständigen Aufsichtsbehörde zu.

(c) Analyse-Tools und Tools von Drittanbietern

Beim Besuch dieser Webseite kann Ihr Surf-Verhalten statistisch ausgewertet werden. Das geschieht vor allem mit Cookies und mit sogenannten Analyseprogrammen. Die Analyse Ihres Surf-Verhaltens erfolgt in der Regel anonym; das Surf-Verhalten kann nicht zu Ihnen zurückverfolgt werden. Sie können dieser Analyse widersprechen oder sie durch die Nichtbenutzung bestimmter Tools verhindern. Detaillierte Informationen dazu finden Sie in der folgenden Datenschutzerklärung.

Sie können dieser Analyse widersprechen. Über die Widerspruchsmöglichkeiten werden wir Sie in dieser Datenschutzerklärung informieren.

 

2. Allgemeine Hinweise und Pflichtinformationen

(a) Datenschutz

Der Betreiber dieser Webseite nimmt den Schutz Ihrer persönlichen Daten sehr ernst. Wir behandeln Ihre personenbezogenen Daten vertraulich und entsprechend der gesetzlichen Datenschutzvorschriften sowie dieser Datenschutzerklärung.

Wenn Sie diese Webseite benutzen, werden verschiedene personenbezogene Daten erhoben. Personenbezogene Daten sind Daten, mit denen Sie persönlich identifiziert werden können. Die vorliegende Datenschutzerklärung erläutert, welche Daten wir erheben und wofür wir sie nutzen. Sie erläutert auch, wie und zu welchem Zweck das geschieht.

Wir weisen darauf hin, dass die Datenübertragung im Internet (z.B. bei der Kommunikation per E-Mail) Sicherheitslücken aufweisen kann. Ein lückenloser Schutz der Daten vor dem Zugriff durch Dritte ist nicht möglich.

(b) Hinweis zur verantwortlichen Stelle

Die verantwortliche Stelle für die Datenverarbeitung auf dieser Webseite ist:

Art Venue c/o
ARCONS GmbH
Amalienstraße 45
80799 München
Deutschland

Telefon: +49 (0)89 215 417 71
Email: [email protected]

Verantwortliche Stelle ist die natürliche oder juristische Person, die allein oder gemeinsam mit anderen über die Zwecke und Mittel der Verarbeitung von personenbezogenen Daten (z.B. Namen, E-Mail-Adressen o. Ä.) entscheidet.

(c) Widerruf Ihrer Einwilligung zur Datenverarbeitung

Viele Datenverarbeitungsvorgänge sind nur mit Ihrer ausdrücklichen Einwilligung möglich. Sie können eine bereits erteilte Einwilligung jederzeit widerrufen. Dazu reicht eine formlose Mitteilung per E-Mail an uns. Die Rechtmäßigkeit der bis zum Widerruf erfolgten Datenverarbeitung bleibt vom Widerruf unberührt.

(d) Beschwerderecht bei der zuständigen Aufsichtsbehörde

Im Falle datenschutzrechtlicher Verstöße steht dem Betroffenen ein Beschwerderecht bei der zuständigen Aufsichtsbehörde zu. Zuständige Aufsichtsbehörde in datenschutzrechtlichen Fragen ist der Landesdatenschutzbeauftragte des Bundeslandes, in dem unser Unternehmen seinen Sitz hat. Eine Liste der Datenschutzbeauftragten sowie deren Kontaktdaten können folgendem Link entnommen werden: https://www.bfdi.bund.de/DE/Infothek/Anschriften_Links/anschriften_links-node.html.

(e) Recht auf Datenübertragbarkeit

Sie haben das Recht, Daten, die wir auf Grundlage Ihrer Einwilligung oder in Erfüllung eines Vertrags automatisiert verarbeiten, an sich oder an einen Dritten in einem gängigen, maschinenlesbaren Format aushändigen zu lassen. Sofern Sie die direkte Übertragung der Daten an einen anderen Verantwortlichen verlangen, erfolgt dies nur, soweit es technisch machbar ist.

(f) SSL- bzw. TLS-Verschlüsselung

Diese Seite nutzt aus Sicherheitsgründen und zum Schutz der Übertragung vertraulicher Inhalte, wie zum Beispiel Bestellungen oder Anfragen, die Sie an uns als Seitenbetreiber senden, eine SSL-bzw. TLS-Verschlüsselung. Eine verschlüsselte Verbindung erkennen Sie daran, dass die Adresszeile des Browsers von “http://” auf “https://” wechselt und an dem Schloss-Symbol in Ihrer Browserzeile.

Wenn die SSL- bzw. TLS-Verschlüsselung aktiviert ist, können die Daten, die Sie an uns übermitteln, nicht von Dritten mitgelesen werden.

(g) Auskunft, Sperrung, Löschung

Sie haben im Rahmen der geltenden gesetzlichen Bestimmungen jederzeit das Recht auf unentgeltliche Auskunft über Ihre gespeicherten personenbezogenen Daten, deren Herkunft und Empfänger und den Zweck der Datenverarbeitung und ggf. ein Recht auf Berichtigung, Sperrung oder Löschung dieser Daten. Hierzu sowie zu weiteren Fragen zum Thema personenbezogene Daten können Sie sich jederzeit unter der im Impressum angegebenen Adresse an uns wenden.

 

3. Datenerfassung auf dieser Webseite

(a) Cookies

Die Internetseiten verwenden teilweise so genannte Cookies. Cookies richten auf Ihrem Rechner keinen Schaden an und enthalten keine Viren. Cookies dienen dazu, unser Angebot nutzerfreundlicher, effektiver und sicherer zu machen. Cookies sind kleine Textdateien, die auf Ihrem Rechner abgelegt werden und die Ihr Browser speichert.

Die meisten der von uns verwendeten Cookies sind so genannte “Session-Cookies”. Sie werden nach Ende Ihres Besuchs automatisch gelöscht. Andere Cookies bleiben auf Ihrem Endgerät gespeichert bis Sie diese löschen. Diese Cookies ermöglichen es uns, Ihren Browser beim nächsten Besuch wiederzuerkennen.

Sie können Ihren Browser so einstellen, dass Sie über das Setzen von Cookies informiert werden und Cookies nur im Einzelfall erlauben, die Annahme von Cookies für bestimmte Fälle oder generell ausschließen sowie das automatische Löschen der Cookies beim Schließen des Browsers aktivieren. Bei der Deaktivierung von Cookies kann die Funktionalität dieser Webseite eingeschränkt sein.

Cookies, die zur Durchführung des elektronischen Kommunikationsvorgangs oder zur Bereitstellung bestimmter, von Ihnen erwünschter Funktionen (z.B. Warenkorbfunktion) erforderlich sind, werden auf Grundlage von Art. 6 Abs. 1 lit. f DSGVO gespeichert. Der Webseitenbetreiber hat ein berechtigtes Interesse an der Speicherung von Cookies zur technisch fehlerfreien und optimierten Bereitstellung seiner Dienste. Soweit andere Cookies (z.B. Cookies zur Analyse Ihres Surfverhaltens) gespeichert werden, werden diese in dieser Datenschutzerklärung gesondert behandelt.

(b) Server-Log-Dateien

Der Provider dieser Webseite erhebt und speichert automatisch Informationen in so genannten Server-Log-Dateien, die Ihr Browser automatisch an uns übermittelt. Diese sind:

  • Browsertyp und Browserversion
  • verwendetes Betriebssystem
  • Referrer URL
  • Hostname des zugreifenden Rechners
  • Uhrzeit der Serveranfrage
  • IP-Adresse

Eine Zusammenführung dieser Daten mit anderen Datenquellen wird nicht vorgenommen.

Die Erfassung dieser Daten erfolgt auf Grundlage von Art. 6 Abs. 1 lit. f DSGVO. Der Webseitenbetreiber hat ein berechtigtes Interesse an der technisch fehlerfreien Darstellung und der Optimierung seiner Webseite – hierzu müssen die Server-Log-Files erfasst werden.

(c) Kontaktformular

Wenn Sie uns per Kontaktformular Anfragen zukommen lassen, werden Ihre Angaben aus dem Anfrageformular inklusive der von Ihnen dort angegebenen Kontaktdaten zwecks Bearbeitung der Anfrage und für den Fall von Anschlussfragen bei uns gespeichert. Diese Daten geben wir nicht ohne Ihre Einwilligung weiter.

Die Verarbeitung der in das Kontaktformular eingegebenen Daten erfolgt somit ausschließlich auf Grundlage Ihrer Einwilligung (Art. 6 Abs. 1 lit. a DSGVO). Sie können diese Einwilligung jederzeit widerrufen. Dazu reicht eine formlose Mitteilung per E-Mail an uns. Die Rechtmäßigkeit der bis zum Widerruf erfolgten Datenverarbeitungsvorgänge bleibt vom Widerruf unberührt.

Die von Ihnen im Kontaktformular eingegebenen Daten verbleiben bei uns, bis Sie uns zur Löschung auffordern, Ihre Einwilligung zur Speicherung widerrufen oder der Zweck für die Datenspeicherung entfällt (z.B. nach abgeschlossener Bearbeitung Ihrer Anfrage). Zwingende gesetzliche Bestimmungen – insbesondere Aufbewahrungsfristen – bleiben unberührt.

 

4. Soziale Medien

(a) AddToAny – Bookmark & Share

Wir verwenden auf dieser Webseite den Bookmark- und Share Button des Dienstes AddToAny (http://www.addtoany.com/). Dieser Dienst erlaubt es, Inhalte dieser Webseite auf bequeme Art und Weise in sozialen Diensten bzw. Netzwerken zu teilen ohne dass Ihre Daten zunächst direkt an andere Soziale Netzwerke weitergegeben werden.

Ihr Klick auf den jeweiligen Plugin-Button von AddToAny (z.B. WhatsApp™ oder Twitter™) öffnet entweder das Plugin direkt oder ein Auswahlfenster mit verschiedenen Plugins von Anbietern sozialer Dienste. Ihr Klick auf einen dieser im Auswahlfenster gezeigten Buttons bewirkt, dass Sie mit dem jeweiligen Plugin interagieren können. Zugleich erteilen Sie damit Ihre Zustimmung zur Datenübermittlung an den entsprechenden Anbieter und nehmen zur Kenntnis, dass Information von Ihrem Browser nun direkt an den Anbieter übermittelt und dort gespeichert werden können. Daten werden nur dann erhoben, wenn Sie mit Hilfe des AddToAny-Buttons soziale Dienste jeweils selbst aufrufen und ggf. zugleich in den jeweiligen Netzwerken mit Ihren Zugangsdaten in Ihr persönliches Benutzerkonto eingeloggt sind. Beim erstmaligen Einrichten Ihres Benutzerkontos beim jeweiligen Dienst haben Sie Ihre Einwilligung zu den jeweiligen Datenschutzbestimmungen bereits gegeben. Wenn Sie bei einem sozialen Dienst eingeloggt sind und anschließend über den Addtoany-Button ein soziales Netzwerk aufrufen, tun Sie dies in eigener Verantwortung für Ihre Daten und auf Grundlage der von Ihnen anerkannten Datenschutzbestimmungen der jeweiligen sozialen Dienste/Netzwerke, dessen Mitglied Sie sind.

AddToAny speichert laut deren Datenschutzerklärung (http://www.addtoany.com/privacy) keine personenbezogenen Daten. Darüber hinaus stellt AddToAny eine Möglichkeit zum Opt-Out für eine große Zahl von Werbenetzwerken zur Verfügung. Sie können das Opt-Out direkt über diesen Link (http://www.networkadvertising.org/managing/opt_out.asp) durchführen.

Mit der Nutzung des AddToAny-Buttons erklären Sie sich mit der Datenverarbeitung durch AddToAny und der Übermittlung der Daten an AddToAny einverstanden. Unsere Webseite erhebt selbst keine Daten bei der Nutzung des Dienstes AddToAny und erhält auch von AddToAny keine Daten, die aus der Nutzung des Share-Buttons entstehen.

 

5. Analyse Tools und Werbung

(a) Google Analytics

Diese Webseite nutzt Funktionen des Webanalysedienstes Google Analytics. Anbieter ist die Google Inc., 1600 Amphitheatre Parkway, Mountain View, CA 94043, USA.

Google Analytics verwendet so genannte “Cookies”. Das sind Textdateien, die auf Ihrem Computer gespeichert werden und die eine Analyse der Benutzung der Webseite durch Sie ermöglichen. Die durch den Cookie erzeugten Informationen über Ihre Benutzung dieser Webseite werden in der Regel an einen Server von Google in den USA übertragen und dort gespeichert.

Die Speicherung von Google-Analytics-Cookies erfolgt auf Grundlage von Art. 6 Abs. 1 lit. f DSGVO. Der Webseitenbetreiber hat ein berechtigtes Interesse an der Analyse des Nutzerverhaltens, um sowohl sein Webangebot als auch seine Werbung zu optimieren.

(b) IP Anonymisierung

Wir haben auf dieser Webseite die Funktion IP-Anonymisierung aktiviert. Dadurch wird Ihre IP-Adresse von Google innerhalb von Mitgliedstaaten der Europäischen Union oder in anderen Vertragsstaaten des Abkommens über den Europäischen Wirtschaftsraum vor der Übermittlung in die USA gekürzt. Nur in Ausnahmefällen wird die volle IP-Adresse an einen Server von Google in den USA übertragen und dort gekürzt. Im Auftrag des Betreibers dieser Webseite wird Google diese Informationen benutzen, um Ihre Nutzung der Webseite auszuwerten, um Reports über die Webseitenaktivitäten zusammenzustellen und um weitere mit der Webseitennutzung und der Internetnutzung verbundene Dienstleistungen gegenüber dem Webseitenbetreiber zu erbringen. Die im Rahmen von Google Analytics von Ihrem Browser übermittelte IP-Adresse wird nicht mit anderen Daten von Google zusammengeführt.

(c) Browser plugin

Sie können die Speicherung der Cookies durch eine entsprechende Einstellung Ihrer Browser-Software verhindern; wir weisen Sie jedoch darauf hin, dass Sie in diesem Fall gegebenenfalls nicht sämtliche Funktionen dieser Webseite vollumfänglich werden nutzen können. Sie können darüber hinaus die Erfassung der durch den Cookie erzeugten und auf Ihre Nutzung der Webseite bezogenen Daten (inkl. Ihrer IP-Adresse) an Google sowie die Verarbeitung dieser Daten durch Google verhindern, indem Sie das unter dem folgenden Link verfügbare Browser-Plugin herunterladen und installieren: https://tools.google.com/dlpage/gaoptout?hl=de.

(d) Widerspruch gegen Datenerfassung

Sie können die Erfassung Ihrer Daten durch Google Analytics verhindern, indem Sie auf folgenden Link klicken. Es wird ein Opt-Out-Cookie gesetzt, der die Erfassung Ihrer Daten bei zukünftigen Besuchen dieser Webseite verhindert: Disable Google Analytics

Mehr Informationen zum Umgang mit Nutzerdaten bei Google Analytics finden Sie in der Datenschutzerklärung von Google: https://support.google.com/analytics/answer/6004245?hl=de.

 

6. Links zu oder von anderen Webseiten

Diese Website kann Links zu anderen Websiten enthalten, die von Tochtergesellschaften, Partnern oder Dritten betrieben werden. Bitte beachten Sie, dass die in dieser Datenschutzerklärung beschriebenen Praktiken nicht für Informationen gelten, die über diese anderen Webseiten gesammelt werden. Diese anderen Websites können ebenso deren eigenen Cookies an Sie senden, Ihre Daten sammeln oder Ihre persönlichen Daten erfassen. Bitte seien Sie sich stets bewusst über welche Links Sie wo schlussendlich landen. Wir sind nicht verantwortlich für die Praktiken und Datenschutzrichtlinien von Dritten und anderer Webseiten. Sofern Sie diese Webseite verlassen, empfehlen wir Ihnen sich die Datenschutzrichtlinien der anderen Webseiten durchzulesen.

 

7. Haftungsauschluß

Wir bemühen uns, die Informationen dieser Websites genau zu halten, einschließlich, aber nicht beschränkt auf, Texte, Fotografien, Grafiken und Abbildungen. Alle Informationen werden im vorliegenden Zustand ohne jegliche Garantie bereitgestellt. Wir übernehmen keine Verantwortung auf die Vollständigkeit, Richtigkeit, Zuverlässigkeit, Eignung oder Verfügbarkeit der auf dieser Webseite bereitgestellten Informationen. Darüber hinaus lehnen wir jede Gewährleistung ab, dass unsere Websites frei ist von Viren, Malware oder anderen schädlichen Komponenten mit destruktiven Eigenschaften. Wir übernehmen keine Haftung für Schäden, die sich aus der Nutzung dieser Website oder deren bereitgestellten Inhalten ergeben.

 

8. Copyright

Es ist nicht gestattet, Teile dieser Website oder deren Inhalt ohne schriftliche Genehmigung der für diese Website verantwortlichen Partei zu reproduzieren, zu veröffentlichen, zu übersetzen oder in irgendeiner Weise zu verteilen, es sei denn, Sie laden sich eine Kopie oder einen Download auf eine lokale Festplatte ausschließlich zu Ihrem persönlichen und nicht kommerziellen Gebrauch. Alle Inhalte, die ordnungsgemäß und rechtlich freigegeben wurden, werden nur von der für diese Website verantwortlichen Partei zur Verfügung gestellt, wenn die Inhalte weder verändert noch modifiziert werden und die Eigentumsvermerke nicht entfernt oder abgeändert werden.

 

9. Änderungen

Diese Website wird ständig weiterentwickelt und möglicherweise um neue Dienste und Funktionen ergänzt. Falls diese Modifikationen Auswirkungen haben sollte auf die zuvor genannten rechtlichen Hinweise oder den Datenschutzrichtlinien, werden die Angaben hierzu entsprechend aktualisiert. Bitte überprüfen Sie deshalb diese Webseite regelmäßig auf Änderungen.

 

 Letzte Aktualisierung: June 2018

 

© Art Venue 2024

申奉澈

申奉澈

1. An Overview of Data Protection

(a) General

The following gives a simple overview of what happens to your personal information when you visit this website. Personal information is any data with which you could be personally identified. Detailed information on the subject of data protection can be found in our privacy policy below.

(b) Data collection on this website

Who is responsible for the data collection on this website?
The data collected on this website are processed by the website operator. The operator’s contact details can be found in the website’s imprint.

How do we collect your data?
Some data are collected when you provide it to us. This could, for example, be data you enter on a contact form. Other data are collected automatically by our IT systems when you visit the website. These data are primarily technical data such as the browser and operating system you are using or when you accessed the page. These data are collected automatically as soon as you enter this website.

What do we use your data for?
Part of the data is collected to ensure the proper functioning of this website. Other data can be used to analyse how visitors use this site.

What rights do you have regarding your data?
You always have the right to request information about your stored data, its origin, its recipients, and the purpose of its collection at no charge. You also have the right to request that it be corrected, blocked, or deleted. You can contact us at any time using the address given in the imprint if you have further questions about the issue of privacy and data protection. You may also, of course, file a complaint with the competent regulatory authorities.

(c) Analytics and third-party tools

When visiting this website, statistical analyses may be made of your surfing behaviour. This happens primarily using cookies and analytics. The analysis of your surfing behaviour is usually anonymous, i.e. we will not be able to identify you from this data. You can object to this analysis or prevent it by not using certain tools. Detailed information can be found in the following privacy policy.

You can object to this analysis. We will inform you below about how to exercise your options in this regard.

 

2. General Information and Mandatory Information

(a) Data protection

The operators of this website take the protection of your personal data very seriously. We treat your personal data as confidential and in accordance with the statutory data protection regulations and this privacy policy.

If you use this website, various pieces of personal data will be collected. Personal information is any data with which you could be personally identified. This privacy policy explains what information we collect and what we use it for. It also explains how and for what purpose this happens. Please note that data transmitted via the internet (e.g. via email communication) may be subject to security breaches. Complete protection of your data from third-party access is not possible.

(b) Notice concerning the party responsible for this website

The party responsible for processing data on this website is:

Art Venue c/o
ARCONS GmbH
Amalienstraße 45
80799 Munich
Germany

Telephone: +49 (0)89 215 417 71
Email: [email protected]

The responsible party is the natural or legal person who alone or jointly with others decides on the purposes and means of processing personal data (names, email addresses, etc.).

(c) Revocation of your consent to the processing of your data

Many data processing operations are only possible with your express consent. You may revoke your consent at any time with future effect. An informal email making this request is sufficient. The data processed before we receive your request may still be legally processed.

(d) Right to file complaints with regulatory authorities

If there has been a breach of data protection legislation, the person affected may file a complaint with the competent regulatory authorities. The competent regulatory authority for matters related to data protection legislation is the data protection officer of the German state in which our company is headquartered. A list of data protection officers and their contact details can be found at the following link: https://www.bfdi.bund.de/DE/Infothek/Anschriften_Links/anschriften_links-node.html.

(e) Right to data portability

You have the right to have data which we process based on your consent or in fulfilment of a contract automatically delivered to yourself or to a third party in a standard, machine-readable format. If you require the direct transfer of data to another responsible party, this will only be done to the extent technically feasible.

(f) SSL or TLS encryption

This site uses SSL or TLS encryption for security reasons and for the protection of the transmission of confidential content, such as the inquiries you send to us as the site operator. You can recognize an encrypted connection in your browser’s address line when it changes from “http://” to “https://” and the lock icon is displayed in your browser’s address bar. If SSL or TLS encryption is activated, the data you transfer to us cannot be read by third parties.

(g) Information, blocking, deletion

As permitted by law, you have the right to be provided at any time with information free of charge about any of your personal data that is stored as well as its origin, the recipient and the purpose for which it has been processed. You also have the right to have this data corrected, blocked or deleted. You can contact us at any time using the address given in the imprint if you have further questions on the topic of personal data.

 

3. Data Collection on our Website

(a) Cookies

Some of our web pages use cookies. Cookies do not harm your computer and do not contain any viruses. Cookies help make our website more user-friendly, efficient, and secure. Cookies are small text files that are stored on your computer and saved by your browser.

Most of the cookies we use are so-called “session cookies.” They are automatically deleted after your visit. Other cookies remain in your device’s memory until you delete them. These cookies make it possible to recognize your browser when you next visit the site.

You can configure your browser to inform you about the use of cookies so that you can decide on a case-by-case basis whether to accept or reject a cookie. Alternatively, your browser can be configured to automatically accept cookies under certain conditions or to always reject them, or to automatically delete cookies when closing your browser. Disabling cookies may limit the functionality of this website.

Cookies which are necessary to allow electronic communications or to provide certain functions you wish to use (such as the shopping cart) are stored pursuant to Art. 6 paragraph 1, letter f of DSGVO. The website operator has a legitimate interest in the storage of cookies to ensure an optimized service provided free of technical errors. If other cookies (such as those used to analyse your surfing behaviour) are also stored, they will be treated separately in this privacy policy.

(b) Server log files

The website provider automatically collects and stores information that your browser automatically transmits to us in “server log files”. These are:

  • Browser type and browser version
  • Operating system used
  • Referrer URL
  • Host name of the accessing computer
  • Time of the server request
  • IP address

These data will not be combined with data from other sources.

The basis for data processing is Art. 6 (1) (f) DSGVO. The website operator has a legitimate interest to ensure an optimized service provided free of technical errors. Therefore, server log files have to be stored.

(c) Contact form

Should you send us questions via the contact form, we will collect the data entered on the form, including the contact details you provide, to answer your question and any follow-up questions. We do not share this information without your permission.

We will, therefore, process any data you enter onto the contact form only with your consent per Art. 6 (1)(a) DSGVO. You may revoke your consent at any time. An informal email making this request is sufficient. The data processed before we receive your request may still be legally processed.

We will retain the data you provide on the contact form until you request its deletion, revoke your consent for its storage, or the purpose for its storage no longer pertains (e.g. after fulfilling your request). Any mandatory statutory provisions, especially those regarding mandatory data retention periods, remain unaffected by this provision.

 

4. Social Media

(a) AddToAny – bookmark & share

This website uses the AddToAny button for bookmarking and sharing. The service is provided by AddToAny (http://www.addtoany.com/) and allows to share contents of this website comfortably in social services and networks without initially sending any personal data to these social networks.

Your click on the corresponding plug-in button of AddToAny (e.g. WhatsApp™ or Twitter™) either opens the relevant plugin directly or a selector window opens with different plug-ins from social service providers. Your click on any one of these buttons causes that you can interact with the respective plugin. At the same time, you grant your consent to data being transferred to the corresponding provider and acknowledge that information from your browser can now be transmitted to and directly stored by that provider.

Data is only collected if you activate a social network through using the AddToAny button and if you simultaneously are logged with your private access data into your personal user account at the respective social network. When you first sat up your user account with the social network, you have already given your consent to the relevant data protection regulations. If you are logged in with a social network and then invoke it via the AddToAny button, you do so under your own responsibility for your data and based on the respective social network’s data protection provisions recognized by you as the social network’s member.

According to AddToAny’s privacy policy no personal data is being stored: http://www.addtoany.com/privacy. In addition, AddToAny provides a way to opt-out of a large number of networks. You can perform the opt-out directly through the following link: http://www.networkadvertising.org/managing/opt_out.asp.

With use of the AddToAny button you agree with AddToAny’s data processing and the transmission of data to AddToAny. Our web site does not collect data when you use the AddToAny’s service and receives no data arising from the use of the AddToAny share button.

 

5. Analytics and Advertising

(a) Google analytics

This website uses Google Analytics, a web analytics service. It is operated by Google Inc., 1600 Amphitheatre Parkway, Mountain View, CA 94043, USA.

Google Analytics uses so-called “cookies”. These are text files that are stored on your computer and that allow an analysis of the use of the website by you. The information generated by the cookie about your use of this website is usually transmitted to a Google server in the USA and stored there.

Google Analytics cookies are stored based on Art. 6 (1) (f) DSGVO. The website operator has a legitimate interest in analysing user behaviour to optimize both its website and its advertising.

(b) IP anonymization

We have activated the IP anonymization feature on this website. Your IP address will be shortened by Google within the European Union or other parties to the Agreement on the European Economic Area prior to transmission to the United States. Only in exceptional cases is the full IP address sent to a Google server in the US and shortened there. Google will use this information on behalf of the operator of this website to evaluate your use of the website, to compile reports on website activity, and to provide other services regarding website activity and Internet usage for the website operator. The IP address transmitted by your browser as part of Google Analytics will not be merged with any other data held by Google.

(c) Browser plugin

You can prevent these cookies being stored by selecting the appropriate settings in your browser. However, we wish to point out that doing so may mean you will not be able to enjoy the full functionality of this website. You can also prevent the data generated by cookies about your use of the website (incl. your IP address) from being passed to Google, and the processing of these data by Google, by downloading and installing the browser plugin available at the following link: https://tools.google.com/dlpage/gaoptout?hl=en.

(d) Objecting to the collection of data

You can prevent the collection of your data by Google Analytics by clicking on the following link. An opt-out cookie will be set to prevent your data from being collected on future visits to this site: Disable Google Analytics

For more information about how Google Analytics handles user data, see Google’s privacy policy: https://support.google.com/analytics/answer/6004245?hl=en.

 

6. Linking to or from Other Websites

This website may contain links to other websites , operated by our affiliates, partners or third parties. Please be advised that the practices described in this privacy policy do not apply to information gathered through these other websites. These other sites may also send their own cookies to you, collect your data or solicit your personal information. Always be aware of where you end up. We are not responsible for the actions and privacy policies of third parties and other websites. We encourage you to be aware of when you leave this site and read the privacy policies of each and every website that you visit.

 

7. Disclaimer

We endeavour to keep the information of this websites accurate, including but not limited to, text, photographs, graphics and figures. This information is provided “as is” and we disclaim all warranties, expressed or implied about the completeness, accuracy, reliability, suitability or availability with respect to the website or the information for any purpose to the extent permitted by applicable law. Further, we disclaim any warranty that our websites are free from infection by virus or anything else that has contaminating or destructive properties. Except as provided by applicable law, we do not accept any responsibility for damage, resulting from your use or inability to use this site or any content, services, or materials provided by or on this site.

 

8. Copyright

You may not reproduce, republish, translate or in any way distribute any parts of this website or the content without the written permission from the party responsible for this website, except that you may make one copy or download to a local hard disk for your personal and non-commercial use only. Any copies of the content which has been duly and legally shared are only made available by the party responsible for this website on the condition that you will not alter or modify such content, nor remove or change any proprietary notice on such content.

 

9. Changes

As this website continues to develop, we may change or add new services or features to our site. In the event that these additions affect this privacy policy, this document will be updated appropriately. Please check back regularly for changes.

 

Last updated: June 2018

 

© Art Venue 2024

申奉澈

申奉澈

1. An Overview of Data Protection

(a) General

The following gives a simple overview of what happens to your personal information when you visit this website. Personal information is any data with which you could be personally identified. Detailed information on the subject of data protection can be found in our privacy policy below.

(b) Data collection on this website

Who is responsible for the data collection on this website?
The data collected on this website are processed by the website operator. The operator’s contact details can be found in the website’s imprint.

How do we collect your data?
Some data are collected when you provide it to us. This could, for example, be data you enter on a contact form. Other data are collected automatically by our IT systems when you visit the website. These data are primarily technical data such as the browser and operating system you are using or when you accessed the page. These data are collected automatically as soon as you enter this website.

What do we use your data for?
Part of the data is collected to ensure the proper functioning of this website. Other data can be used to analyse how visitors use this site.

What rights do you have regarding your data?
You always have the right to request information about your stored data, its origin, its recipients, and the purpose of its collection at no charge. You also have the right to request that it be corrected, blocked, or deleted. You can contact us at any time using the address given in the imprint if you have further questions about the issue of privacy and data protection. You may also, of course, file a complaint with the competent regulatory authorities.

(c) Analytics and third-party tools

When visiting this website, statistical analyses may be made of your surfing behaviour. This happens primarily using cookies and analytics. The analysis of your surfing behaviour is usually anonymous, i.e. we will not be able to identify you from this data. You can object to this analysis or prevent it by not using certain tools. Detailed information can be found in the following privacy policy.

You can object to this analysis. We will inform you below about how to exercise your options in this regard.

 

2. General Information and Mandatory Information

(a) Data protection

The operators of this website take the protection of your personal data very seriously. We treat your personal data as confidential and in accordance with the statutory data protection regulations and this privacy policy.

If you use this website, various pieces of personal data will be collected. Personal information is any data with which you could be personally identified. This privacy policy explains what information we collect and what we use it for. It also explains how and for what purpose this happens. Please note that data transmitted via the internet (e.g. via email communication) may be subject to security breaches. Complete protection of your data from third-party access is not possible.

(b) Notice concerning the party responsible for this website

The party responsible for processing data on this website is:

Art Venue c/o
ARCONS GmbH
Amalienstraße 45
80799 Munich
Germany

Telephone: +49 (0)89 215 417 71
Email: [email protected]

The responsible party is the natural or legal person who alone or jointly with others decides on the purposes and means of processing personal data (names, email addresses, etc.).

(c) Revocation of your consent to the processing of your data

Many data processing operations are only possible with your express consent. You may revoke your consent at any time with future effect. An informal email making this request is sufficient. The data processed before we receive your request may still be legally processed.

(d) Right to file complaints with regulatory authorities

If there has been a breach of data protection legislation, the person affected may file a complaint with the competent regulatory authorities. The competent regulatory authority for matters related to data protection legislation is the data protection officer of the German state in which our company is headquartered. A list of data protection officers and their contact details can be found at the following link: https://www.bfdi.bund.de/DE/Infothek/Anschriften_Links/anschriften_links-node.html.

(e) Right to data portability

You have the right to have data which we process based on your consent or in fulfilment of a contract automatically delivered to yourself or to a third party in a standard, machine-readable format. If you require the direct transfer of data to another responsible party, this will only be done to the extent technically feasible.

(f) SSL or TLS encryption

This site uses SSL or TLS encryption for security reasons and for the protection of the transmission of confidential content, such as the inquiries you send to us as the site operator. You can recognize an encrypted connection in your browser’s address line when it changes from “http://” to “https://” and the lock icon is displayed in your browser’s address bar. If SSL or TLS encryption is activated, the data you transfer to us cannot be read by third parties.

(g) Information, blocking, deletion

As permitted by law, you have the right to be provided at any time with information free of charge about any of your personal data that is stored as well as its origin, the recipient and the purpose for which it has been processed. You also have the right to have this data corrected, blocked or deleted. You can contact us at any time using the address given in the imprint if you have further questions on the topic of personal data.

 

3. Data Collection on our Website

(a) Cookies

Some of our web pages use cookies. Cookies do not harm your computer and do not contain any viruses. Cookies help make our website more user-friendly, efficient, and secure. Cookies are small text files that are stored on your computer and saved by your browser.

Most of the cookies we use are so-called “session cookies.” They are automatically deleted after your visit. Other cookies remain in your device’s memory until you delete them. These cookies make it possible to recognize your browser when you next visit the site.

You can configure your browser to inform you about the use of cookies so that you can decide on a case-by-case basis whether to accept or reject a cookie. Alternatively, your browser can be configured to automatically accept cookies under certain conditions or to always reject them, or to automatically delete cookies when closing your browser. Disabling cookies may limit the functionality of this website.

Cookies which are necessary to allow electronic communications or to provide certain functions you wish to use (such as the shopping cart) are stored pursuant to Art. 6 paragraph 1, letter f of DSGVO. The website operator has a legitimate interest in the storage of cookies to ensure an optimized service provided free of technical errors. If other cookies (such as those used to analyse your surfing behaviour) are also stored, they will be treated separately in this privacy policy.

(b) Server log files

The website provider automatically collects and stores information that your browser automatically transmits to us in “server log files”. These are:

  • Browser type and browser version
  • Operating system used
  • Referrer URL
  • Host name of the accessing computer
  • Time of the server request
  • IP address

These data will not be combined with data from other sources.

The basis for data processing is Art. 6 (1) (f) DSGVO. The website operator has a legitimate interest to ensure an optimized service provided free of technical errors. Therefore, server log files have to be stored.

(c) Contact form

Should you send us questions via the contact form, we will collect the data entered on the form, including the contact details you provide, to answer your question and any follow-up questions. We do not share this information without your permission.

We will, therefore, process any data you enter onto the contact form only with your consent per Art. 6 (1)(a) DSGVO. You may revoke your consent at any time. An informal email making this request is sufficient. The data processed before we receive your request may still be legally processed.

We will retain the data you provide on the contact form until you request its deletion, revoke your consent for its storage, or the purpose for its storage no longer pertains (e.g. after fulfilling your request). Any mandatory statutory provisions, especially those regarding mandatory data retention periods, remain unaffected by this provision.

 

4. Social Media

(a) AddToAny – bookmark & share

This website uses the AddToAny button for bookmarking and sharing. The service is provided by AddToAny (http://www.addtoany.com/) and allows to share contents of this website comfortably in social services and networks without initially sending any personal data to these social networks.

Your click on the corresponding plug-in button of AddToAny (e.g. WhatsApp™ or Twitter™) either opens the relevant plugin directly or a selector window opens with different plug-ins from social service providers. Your click on any one of these buttons causes that you can interact with the respective plugin. At the same time, you grant your consent to data being transferred to the corresponding provider and acknowledge that information from your browser can now be transmitted to and directly stored by that provider.

Data is only collected if you activate a social network through using the AddToAny button and if you simultaneously are logged with your private access data into your personal user account at the respective social network. When you first sat up your user account with the social network, you have already given your consent to the relevant data protection regulations. If you are logged in with a social network and then invoke it via the AddToAny button, you do so under your own responsibility for your data and based on the respective social network’s data protection provisions recognized by you as the social network’s member.

According to AddToAny’s privacy policy no personal data is being stored: http://www.addtoany.com/privacy. In addition, AddToAny provides a way to opt-out of a large number of networks. You can perform the opt-out directly through the following link: http://www.networkadvertising.org/managing/opt_out.asp.

With use of the AddToAny button you agree with AddToAny’s data processing and the transmission of data to AddToAny. Our web site does not collect data when you use the AddToAny’s service and receives no data arising from the use of the AddToAny share button.

 

5. Analytics and Advertising

(a) Google analytics

This website uses Google Analytics, a web analytics service. It is operated by Google Inc., 1600 Amphitheatre Parkway, Mountain View, CA 94043, USA.

Google Analytics uses so-called “cookies”. These are text files that are stored on your computer and that allow an analysis of the use of the website by you. The information generated by the cookie about your use of this website is usually transmitted to a Google server in the USA and stored there.

Google Analytics cookies are stored based on Art. 6 (1) (f) DSGVO. The website operator has a legitimate interest in analysing user behaviour to optimize both its website and its advertising.

(b) IP anonymization

We have activated the IP anonymization feature on this website. Your IP address will be shortened by Google within the European Union or other parties to the Agreement on the European Economic Area prior to transmission to the United States. Only in exceptional cases is the full IP address sent to a Google server in the US and shortened there. Google will use this information on behalf of the operator of this website to evaluate your use of the website, to compile reports on website activity, and to provide other services regarding website activity and Internet usage for the website operator. The IP address transmitted by your browser as part of Google Analytics will not be merged with any other data held by Google.

(c) Browser plugin

You can prevent these cookies being stored by selecting the appropriate settings in your browser. However, we wish to point out that doing so may mean you will not be able to enjoy the full functionality of this website. You can also prevent the data generated by cookies about your use of the website (incl. your IP address) from being passed to Google, and the processing of these data by Google, by downloading and installing the browser plugin available at the following link: https://tools.google.com/dlpage/gaoptout?hl=en.

(d) Objecting to the collection of data

You can prevent the collection of your data by Google Analytics by clicking on the following link. An opt-out cookie will be set to prevent your data from being collected on future visits to this site: Disable Google Analytics

For more information about how Google Analytics handles user data, see Google’s privacy policy: https://support.google.com/analytics/answer/6004245?hl=en.

 

6. Linking to or from Other Websites

This website may contain links to other websites , operated by our affiliates, partners or third parties. Please be advised that the practices described in this privacy policy do not apply to information gathered through these other websites. These other sites may also send their own cookies to you, collect your data or solicit your personal information. Always be aware of where you end up. We are not responsible for the actions and privacy policies of third parties and other websites. We encourage you to be aware of when you leave this site and read the privacy policies of each and every website that you visit.

 

7. Disclaimer

We endeavour to keep the information of this websites accurate, including but not limited to, text, photographs, graphics and figures. This information is provided “as is” and we disclaim all warranties, expressed or implied about the completeness, accuracy, reliability, suitability or availability with respect to the website or the information for any purpose to the extent permitted by applicable law. Further, we disclaim any warranty that our websites are free from infection by virus or anything else that has contaminating or destructive properties. Except as provided by applicable law, we do not accept any responsibility for damage, resulting from your use or inability to use this site or any content, services, or materials provided by or on this site.

 

8. Copyright

You may not reproduce, republish, translate or in any way distribute any parts of this website or the content without the written permission from the party responsible for this website, except that you may make one copy or download to a local hard disk for your personal and non-commercial use only. Any copies of the content which has been duly and legally shared are only made available by the party responsible for this website on the condition that you will not alter or modify such content, nor remove or change any proprietary notice on such content.

 

9. Changes

As this website continues to develop, we may change or add new services or features to our site. In the event that these additions affect this privacy policy, this document will be updated appropriately. Please check back regularly for changes.

 

Last updated: June 2018

 

© Art Venue 2024

申奉澈

申奉澈

The concept of space relates to the unfilled. Such empty space may – both in the associated logic and in the pictorial representation – only manifest itself and becomes visible through the separation of this space from another. Only then does space become a visual experience.

Bongchull Shin is concerned with the visualisation of space using a material which in everyday life visually eliminates the separation between two spaces – glass. In the series void in solid, the artist examines the portrayal of empty space and its architectural manifestation. Using an extremely complex glass cutting technique, Bongchull Shin removes a single shape from numerous sheets of glass. He ensures that each cut-out shape in every sheet differs to only the tiniest degree in shape or layout from the one before it. Finally he glues the countless sheets horizontally on top of one another up to the desired height. By doing this he moves and influences the structure of the inner space; corners and edges emerge creating rhythm and shapes. Inside this glass tower an empty space emerges. By shunning unnecessary decoration and using only glass, Bongchull Shin creates a series of artworks resembling contemporary skyscraper architecture. By reflecting the surrounding environment in large glass facades, the several hundred-metre high towers almost appear invisible, disappearing into the background.

Glass in the form of a window or facade separates the external and internal world. It blocks out all senses except for vision. While spaces separated from each other by a glass wall for instance cannot be experienced via smell, taste or touch, the eye registers such separated spaces. Glass and the window or facade respectively is almost invisible so long as the eye focuses on the space behind the glass surface; with regard to a void in solid sculpture this would be the inner space. However, if the viewer concentrates on the outer surface rather than the inside of the sculpture, varying reflections of himself appear depending on the viewing angle; the inner space – the void – becomes blurred. With this the glass becomes a mirror and throws back questions at the watching subject who through the recognisable, reflected view (of himself) feels trapped as a voyeur.

-Mira Nass-

© Art Venue 2024

申奉澈

申奉澈

Der deutschsprachige Begriff „Raum“ leitet sich vom mittelhochdeutschen Wort „rûm“ ab. Dieses bedeutet „freier Platz“ oder „das nicht Ausgefüllte“. Die Vorstellung eines Raums bezieht sich epistemologisch also auf die Imagination des „leeren Raums“. Ein solcher leerer Raum wird – sowohl in der assoziativen Logik als auch in der bildlichen Darstellung – erst durch die Abgrenzung von einem anderen materiellen Raum manifestiert beziehungsweise sichtbar. Auf dieser Überlegung aufbauend erscheint der Raum somit als eine primär visuelle Erfahrung.

Bongchull Shin beschäftigt sich mit der Sichtbarmachung von Raum anhand eines Materials, welches im alltäglichen Leben die Trennung zwischen zwei Räumen visuell aufhebt: Glas. In seiner Werkserie void in solid setzt sich der Künstler mit der Darstellung des leeren Raums und seiner architektonischen Manifestation auseinander. Anhand eines äußerst komplizierten Glasschneide-Verfahrens entfernt Shin aus unzähligen Glasplatten eine einheitliche Form. Dabei lässt er jede dieser wie ausgestanzt erscheinenden Formen in Größe oder Platzierung minimal von der vorherigen abweichen. Anschließend stapelt und klebt er die unzähligen Schichten horizontal aufeinander. Auf diese Weise verschiebt und beeinflusst er die Struktur des innenliegenden Hohlraums: Ecken und Kanten entstehen, ein Rhythmus und Formen ergeben sich. Im Inneren eines solchen Glasturms entsteht ein „leerer Raum“. Durch die Verwendung von Glas unter Verzicht auf Verzierungen erinnert diese Werkserie an zeitgenössische Wolkenkratzer-Architektur, bei der sich die teilweise mehrere hundert Meter hohen Großstadttürme durch die Spiegelung der sie umgebenden Umwelt in den großflächigen Glasfassaden von außen betrachtet beinahe selbst aufheben.

Als architektonisches Element trennt Glas in Form des Fensters beziehungsweise der Fassade die äußere und die innere (Erfahrungs-) Welt. Es blockiert dabei alle Sinne außer dem Sehvermögen. So ist zum Beispiel ein mittels einer Glaswand abgetrennter Raum weder anhand von Gerüchen und Geschmäckern noch durch den Tastsinn erfahrbar. Das Auge dagegen kann einen derart abgegrenzten Raum zu großen Teilen erfassen. Das Glas respektive Fenster erscheint quasi unsichtbar, solange das Auge den Raum hinter der Glasfläche fokussiert, also bei der transparenten Void-in-Solid-Skulptur den Innenraum. Konzentriert sich der Rezipierende jedoch nicht auf das Innenleben der Skulpturen, sondern auf eine der Außenflächen, erscheinen je nach Betrachtungswinkel unterschiedlich starke Spiegelungen des eigenen Ichs und der Blick nach innen verschwimmt. So wird das Glas zum Spiegel und wirft Fragen an das schauende Subjekt zurück, welches sich durch den zurückgeworfenen Blick als Voyeur ertappt fühlt.

– Mira Nass –

© Art Venue 2024

申奉澈

申奉澈

空间这一概念与缺失紧密相连。这种空白的空间 – 无论从相关的逻辑上还是从表征上 -—都只是表现其本体,并通过将这个空间与另一空间的分隔而变得可见。只有这样,空间才能成为视觉体验。

申奉澈关注的是将空间视觉化。他运用的这种材料——玻璃——在日常生活中从视觉上消除了两个空间之间的分隔。在作品系列“固体的空无”中,艺术家审视了空白空间及其建筑表现的呈现方式。申奉澈运用极其复杂的玻璃切割技艺,从多片玻璃上移除单一形状。他确保每片玻璃上切割造型与前一片玻璃在切割造型或布局上仅呈现最微小的差异。最后,他将无数片玻璃水平叠加地粘在一起,达到想要的高度。通过这种手法,他移动并影响内部空间结构;角落和边缘显现出来,创造出韵律和形状。在这座玻璃塔内,出现了一片空白空间。通过省去不必要的装饰,只使用玻璃,申奉澈创造出一系列类似当代摩天大楼建筑的艺术作品。这些摩天大楼的大型玻璃幕墙反射周围的环境,几百米高的塔楼几乎隐形,消失在背景中。

玻璃以窗户或立面的形式分隔外部和内部世界。它阻挡了除视觉之外的所有感官。尽管玻璃墙隔开的空间无法通过气味、味道或触摸来体验感知,但眼睛却能辨别这种空间的分隔。只要眼睛聚焦玻璃表面背后的空间,玻璃和窗户或相应立面就几乎隐形;在“固体的空无”雕塑中,这即是内部空间。但是,如果观察者集中关注外表面而不是雕塑内部,则可站在不同的观赏角度看出折射自己的不同光影;内部空间 – 虚空 – 变得模糊。通过这种手法,玻璃变成了一面镜子,向观看主体抛出问题,他们可通过可识别的反射视角(自己)体验到偷窥的尴尬。

-Mira Nass-

© Art Venue 2024

申奉澈

申奉澈

The concept of space relates to the unfilled. Such empty space may – both in the associated logic and in the pictorial representation – only manifest itself and becomes visible through the separation of this space from another. Only then does space become a visual experience.

Bongchull Shin is concerned with the visualisation of space using a material which in everyday life visually eliminates the separation between two spaces – glass. In the series void in solid, the artist examines the portrayal of empty space and its architectural manifestation. Using an extremely complex glass cutting technique, Bongchull Shin removes a single shape from numerous sheets of glass. He ensures that each cut-out shape in every sheet differs to only the tiniest degree in shape or layout from the one before it. Finally he glues the countless sheets horizontally on top of one another up to the desired height. By doing this he moves and influences the structure of the inner space; corners and edges emerge creating rhythm and shapes. Inside this glass tower an empty space emerges. By shunning unnecessary decoration and using only glass, Bongchull Shin creates a series of artworks resembling contemporary skyscraper architecture. By reflecting the surrounding environment in large glass facades, the several hundred-metre high towers almost appear invisible, disappearing into the background.

Glass in the form of a window or facade separates the external and internal world. It blocks out all senses except for vision. While spaces separated from each other by a glass wall for instance cannot be experienced via smell, taste or touch, the eye registers such separated spaces. Glass and the window or facade respectively is almost invisible so long as the eye focuses on the space behind the glass surface; with regard to a void in solid sculpture this would be the inner space. However, if the viewer concentrates on the outer surface rather than the inside of the sculpture, varying reflections of himself appear depending on the viewing angle; the inner space – the void – becomes blurred. With this the glass becomes a mirror and throws back questions at the watching subject who through the recognisable, reflected view (of himself) feels trapped as a voyeur.

-Mira Nass-

© Art Venue 2024

申奉澈

申奉澈

Glass and light are at the forefront of all Bongchull Shin’s works. Both elements complement each other in his room and wall installations. The series broken glass is dominated by the theme of antagonism. For a long time the origin of glass was considered mysterious, being developed under god’s influence. Its fragile nature was another reason why glass was a valuable merchandise. Simultaneously glass is seen as a symbol of destruction due to its dangerously sharp edges. Günter Grass reinterpreted Rolf Breitenstein’s view of glass “as the seismograph of vandalism” when referring to the “Night of Broken Glass” during the Nazi era in 1938, seeing glass as the revolutionary instrument of power in the hands of little Oskar in the novel Die Blechtrommel. Opposed to the traditional Vanitas-symbol, the destruction of glass however is not a gradual natural process, but is rather a one-off powerful loss of form, normally at the hands of man.

It is precisely these antagonistic associations that Bongchull Shin utilises in his wall texts. Positive statements such as Love, Faith, Hope or Yes appear to the observer at first glance soft and harmonious. The artist contrasts these poetic statements, words and quotes like Protect me from what I want, with his use of sharp, jagged sherds of green glass. These sherds, cut and shaped with a glass knife, remain unpolished, thus retaining their dangerous edge.

Only after close analysis do the individual letters reveal themselves as a composition of glass sherds. As such Bongchull Shin summarises the antagonism and ambiguity of all things. On one level the beauty and simultaneous brutality of the glass. On the other the power of words which can summon up the most wonderful but also the most hurtful associations. Moreover his use of green glass in this series invokes the popular South Korean drink Soju which, as an alcoholic drink, portrays feelings of enjoyment but also dependence.

– Mira Nass –

© Art Venue 2024

申奉澈

申奉澈

Im Mittelpunkt des künstlerischen Werks von Bongchull Shin stehen Glas und Licht, die sich in seinen Wand- und Rauminstallationen gegenseitig manifestieren. Die Serie broken glass wird dominiert vom Antagonismus, also dem Gegensätzlichen, welches dem Glas inhärent ist. Seine Herkunft galt lange als mysteriös und wurde auf göttlichen Einfluss zurückgeführt. Dieser Mythos und seine Zerbrechlichkeit machten Glas zu einem wertvollen Handelsgut. Gleichzeitig ist Glas aufgrund der gefährlich scharfen Kanten bis heute auch ein Sinnbild für Zerstörung. In Anbetracht der „Reichskristallnacht“ 1938 kehrte Günter Grass das „Glas als Seismograph der Zerstörungswut“ (Rolf Breitenstein) zum Gegenteil und erklärt es zum revolutionären Machtinstrument des kleinen Oskar in dem Roman Die Blechtrommel. Dieser dem Glas inhärente Aspekt der Macht und Zerstörung steht – entgegen dem traditionellen Vanitas-Sinnbild – jedoch nicht für ein schleichend natürliches Vergehen. Vielmehr handelt es sich hier um einen plötzlichen Verlust der Form, der zumeist durch ein kraftvolles und plötzliches Ereignis herbeigeführt wird.

Es sind vor allem diese antagonistischen Assoziationen, mit denen Bongchull Shin in seinen Wandschriften arbeitet. Positiv konnotierte Schriftzüge wie Love, Faith, Hope erscheinen aus der Distanz weich und harmonisch. To love and be loved oder auch Protect me from what I want ist zu lesen. Der Künstler setzt diesen poetisch wirkenden Gedichten, Literaturzitaten und Wörtern jedoch scharfe, gebrochene grüne Glassplitter entgegen. Die mit einem Glasmesser geschnittenen und geformten Glasscherben bleiben ungeschliffen und behalten dadurch ihre gefährliche Schärfe.

Erst bei näherem Analysieren offenbaren sich den Rezipierenden der Werke von Bongchull Shin die einzelnen Buchstaben als fragmentarische Zusammensetzungen jener Glasstücke. Damit thematisiert Bongchull Shin den Antagonismus und die Doppeldeutigkeit der Dinge. Zum einen die Schönheit und gleichzeitige Brutalität von Glas. Zum anderen die Macht der Worte, die sowohl die schönsten als auch verletzendsten Gefühle zwischen Menschen hervorrufen können. Zudem verweist das grüne Glas auf die Flaschenfarbe des beliebten koreanischen Soju, welches als alkoholisches Getränk immer zugleich Genuss und Sucht mit sich bringen kann.

– Mira Nass –

© Art Venue 2024

申奉澈

申奉澈

玻璃和光线在申奉澈的所有作品中位于最前沿。这两种元素在他的房间和墙壁装置中相互补充。作品系列“碎玻璃” 主要以对立为主题。长久以来,玻璃的起源被认为是神秘的,在神的影响下开发出来。玻璃的易碎特质是其成为一种价值商品的另一个原因。同时,玻璃被视为是破坏的象征,因为它的锋利边缘很危险。在提及发生在1938年纳粹时代的“帝国水晶之夜”时,君特·格拉斯(Guenter Grass)重新诠释了卢尔弗·布莱腾施泰因(Rolf Breitenstein)关于玻璃作为“破坏行为的地震仪”的观点。在小说 《铁皮鼓》中,小奥斯卡手中的玻璃被视作富有力量的革命工具。与传统虚空符号不同的是,玻璃的破坏不是一个渐进的自然过程,而是一种一次性强大的形式缺失,通常是由人类施加的。

这正是申奉澈在他的墙壁文本中运用的对抗性联想。诸如“爱、信念、希望”或“是的” 之类的正面陈述乍看起来对观察者而言是柔和、和谐的。艺术家运用锋利、锯齿状的绿色玻璃碎片与诸如“保护我远离我想要的”之类的诗意陈述、词语和引语形成对比 。这些用玻璃刀切割的碎片未经磨光,保留着危险的锋利边缘。

唯有在仔细分析之后,单个字母才能将凸显为玻璃碎片的组成部分。正是通过这种手法,申奉澈升华了万物间的对立和矛盾。从一个层面上,玻璃的美丽和残酷并存。在另一层面上,这些词汇的力量能够唤起最美妙但最令人受伤的联想。此外,他在这一系列作品中对绿色玻璃的运用,让人不禁联想起韩国流行的烧酒。作为一种酒精饮料,烧酒既代表着享受的乐趣,同时也表现出依赖性。

– Mira Nass –

© Art Venue 2024

申奉澈

申奉澈

Glass and light are at the forefront of all Bongchull Shin’s works. Both elements complement each other in his room and wall installations. The series broken glass is dominated by the theme of antagonism. For a long time the origin of glass was considered mysterious, being developed under god’s influence. Its fragile nature was another reason why glass was a valuable merchandise. Simultaneously glass is seen as a symbol of destruction due to its dangerously sharp edges. Günter Grass reinterpreted Rolf Breitenstein’s view of glass “as the seismograph of vandalism” when referring to the “Night of Broken Glass” during the Nazi era in 1938, seeing glass as the revolutionary instrument of power in the hands of little Oskar in the novel Die Blechtrommel. Opposed to the traditional Vanitas-symbol, the destruction of glass however is not a gradual natural process, but is rather a one-off powerful loss of form, normally at the hands of man.

It is precisely these antagonistic associations that Bongchull Shin utilises in his wall texts. Positive statements such as Love, Faith, Hope or Yes appear to the observer at first glance soft and harmonious. The artist contrasts these poetic statements, words and quotes like Protect me from what I want, with his use of sharp, jagged sherds of green glass. These sherds, cut and shaped with a glass knife, remain unpolished, thus retaining their dangerous edge.

Only after close analysis do the individual letters reveal themselves as a composition of glass sherds. As such Bongchull Shin summarises the antagonism and ambiguity of all things. On one level the beauty and simultaneous brutality of the glass. On the other the power of words which can summon up the most wonderful but also the most hurtful associations. Moreover his use of green glass in this series invokes the popular South Korean drink Soju which, as an alcoholic drink, portrays feelings of enjoyment but also dependence.

– Mira Nass –

© Art Venue 2024

申奉澈

申奉澈

申奉澈让艺术成为一种实在体验。他的作品将自然和物理效果引入展览空间。玻璃、亮彩以及自然光或人造光产生的阴影和反射是在他的作品中反复出现的元素。顾名思义,申奉澈的”立方体”和”条纹”系列关注立体造型和纤长玻璃条纹,很显然,艺术家将重点放在光线、色彩和形状上。

作品“B6614”覆盖150x300cm的墙面空间。无限统一的蓝闪立方体按照固定的间隔出现。相比之下,“山间小路”是由多块大小和颜色各异的玻璃块进行不规则的排列。这些形状覆盖130x130cm的区域,呈蓝色、黄色、粉色、红色和绿色。有规则和无规则的光束透过这两件作品,在墙壁、地板和临近区域形成集中色彩的反射。在自然光较少的展览空间陈列个人装置作品时,这位艺术家运用多个不同位置的人造光源,模拟太阳的自然运动。反射光看上去像一张五彩编织地毯,根据光线投射方式和观察者位置变幻反射的方位。初看这件作品可能会让人联想到丹麦 – 冰岛艺术家奥拉维尔•埃利亚松 (Olafur Eliasson) 的作品“ 你的太阳星云。这件作品是一组328个大小各异的玻璃球体簇拥在一起,像水珍珠一样紧贴墙壁。 这件著名作品只是运用周围环境的彩色倒影,而申奉澈则是利用立方体和条纹内玻璃板之间极薄的彩色嵌入层来控制个人玻璃作品的色彩浓度。因此,根据有利站位的不同,玻璃砖看上去既可以是彩色的,也可以是透明和半透明的。不同光影和投射的重叠会产生出新色调。因此观察者的运动在申奉澈“立方体和条纹作品体现出一种内在关联。它们只有在运动时才会焕发活力。

通过聚集光线和彩色反射的媒介,艺术家巧妙地回避了与早期现代主义艺术印象派的雷同。申奉澈努力用太阳和日光呈现他的作品。因此,他的作品自然地成为公共艺术,在公共领域与城市和当代建筑的对话中得以发展。

– Mira Nass –

© Art Venue 2024

申奉澈

申奉澈

Bongchull Shin makes art a physical experience. His artworks bring nature and the effects of physics into exhibition spaces. Glass, bright colours and either natural or artificial light and its resulting shadows and reflections are elements which occur repeatedly in his works. As the name suggests, Bongchull Shin’s cubes and stripes series concerns cubic shapes and long slim glass stripes in which the artist’s focus on light, colour and shape is evident.

The work B6614 covers a wall space of 150x300cm. Endless identical blue shimmering cubes appear in regular intervals. By contrast Alpenweg (Mountain Trail) is dominated by numerous differently sized and coloured glass blocks with no concrete arrangement. Spanning an area of 130x130cm, these shapes project colours of blue, yellow, pink, red and green. Both structured and unstructured light beams passing through both artworks create colour-intensive reflections on the wall, the floor and in the immediate area. When presenting his installations in exhibition spaces with little natural light, the artist uses several differently positioned sources of artificial light to imitate the natural movement of the sun. The reflections appear like a colourfully woven carpet and change position depending on the way the light falls and the position of the observer. At first glance this work might remind one of Danish-Icelandic artist Olafur Eliasson’s Your solar nebula. This work is a cluster of 328 different sized glass spheres clinging to the wall like water pearls. In contrast to this well-known work which only takes on colourful form through reflection of its surroundings, Bongchull Shin controls the colour intensity of his glass works through wafer-thin coloured layers inserted into the spaces between the glass sheets within the cubes and stripes. So depending on the vantage point the glass blocks appear both coloured as well as transparent and translucent. The overlapping of different coloured shadows and projections causes new colour tones to emerge. The movement of the observer is therefore inherent in Bongchull Shin’s cubes and stripes works. They only come to life when movement occurs.

By concentrating on the medium of light and resulting colourful reflections, the artist eludes to his affinity with the artistic impressionism of early modernism. Bongchull Shin strives to present his works using sun and daylight. His work therefore ideally becomes public art, developed in dialogue with urban and contemporary architecture in the public realm.

– Mira Nass –

© Art Venue 2024

申奉澈

申奉澈

Bongchull Shin makes art a physical experience. His artworks bring nature and the effects of physics into exhibition spaces. Glass, bright colours and either natural or artificial light and its resulting shadows and reflections are elements which occur repeatedly in his works. As the name suggests, Bongchull Shin’s cubes and stripes series concerns cubic shapes and long slim glass stripes in which the artist’s focus on light, colour and shape is evident.

The work B6614 covers a wall space of 150x300cm. Endless identical blue shimmering cubes appear in regular intervals. By contrast Alpenweg (Mountain Trail) is dominated by numerous differently sized and coloured glass blocks with no concrete arrangement. Spanning an area of 130x130cm, these shapes project colours of blue, yellow, pink, red and green. Both structured and unstructured light beams passing through both artworks create colour-intensive reflections on the wall, the floor and in the immediate area. When presenting his installations in exhibition spaces with little natural light, the artist uses several differently positioned sources of artificial light to imitate the natural movement of the sun. The reflections appear like a colourfully woven carpet and change position depending on the way the light falls and the position of the observer. At first glance this work might remind one of Danish-Icelandic artist Olafur Eliasson’s Your solar nebula. This work is a cluster of 328 different sized glass spheres clinging to the wall like water pearls. In contrast to this well-known work which only takes on colourful form through reflection of its surroundings, Bongchull Shin controls the colour intensity of his glass works through wafer-thin coloured layers inserted into the spaces between the glass sheets within the cubes and stripes. So depending on the vantage point the glass blocks appear both coloured as well as transparent and translucent. The overlapping of different coloured shadows and projections causes new colour tones to emerge. The movement of the observer is therefore inherent in Bongchull Shin’s cubes and stripes works. They only come to life when movement occurs.

By concentrating on the medium of light and resulting colourful reflections, the artist eludes to his affinity with the artistic impressionism of early modernism. Bongchull Shin strives to present his works using sun and daylight. His work therefore ideally becomes public art, developed in dialogue with urban and contemporary architecture in the public realm.

– Mira Nass –

© Art Venue 2024

申奉澈

申奉澈

Bongchull Shin macht Kunst physisch erfahrbar und bringt mit seinen Kunstwerken die Natur und die Effekte der Physik in Ausstellungsräume. Glas, bunte Farben sowie natürliches oder künstliches Licht mit seinen Schatten und Reflektionen sind wichtige Elemente seiner Arbeiten. Shins Cubes- und Stripes-Arbeiten werden – wie der Titel der Serie bereits verrät – zum einen von der geometrischen Form der Kuben, zum anderen von schlanken, länglichen Glasstreifen dominiert. In ihnen manifestiert sich die Konzentration des Künstlers auf das Zusammenspiel von Licht, Farben und Formen.

Das Werk B6614 erstreckt sich über eine Fläche von 150x300cm. Scheinbar unzählige, einheitlich blau schimmernde Kuben bevölkern diese Fläche in regelmäßigen Abständen. Das Werk Alpenweg wird dagegen dominiert von den unterschiedlichen Farben der ebenso unterschiedlich großen Glasquader. Auf einer Fläche von 130x130cm leuchten die Formen in Blau, Gelb, Pink, Rot und Grün. Dabei lässt sich weder ein sich wiederholendes Farbmuster noch eine konkrete Anordnung der Kuben erkennen. Durch den kontrollierten oder unkontrollierten Lichteinfall werfen beide Werke farbintensive Muster an die Wand, den Boden und die nähere Umgebung. Zur Präsentation seiner Installationen in geschlossenen Ausstellungsräumen ohne natürlichen Lichteinfall nutzt der Künstler mehrere unterschiedlich positionierte Lichtquellen, um die natürliche Bewegung der Sonne zu imitieren. Wie ein bunt gewebter Teppich erscheinen die Reflexionen und wandeln sich je nach Richtung des Lichteinfalls und der Position des Betrachters. Spontan mag dies an das Werk Your solar nebula des dänisch-isländischen Künstlers Olafur Eliasson erinnern. Dieses setzt sich aus 328 unterschiedlich großen Glasblasen zusammen, die sich wie Wasserperlen an die Wand krallen. Im Unterschied zu diesem bekannten Werk, welches erst durch die Spiegelung seiner Umgebung farbliche Gestalt annimmt, steuert Bongchull Shin die Farben seiner Glasarbeiten durch hauchdünne Farbschichten in den Zwischenräumen der zum Kubus oder Streifen zusammengefügten Glasscheiben. So können die Glasblöcke je nach Blickwinkel nicht nur farbig, sondern auch ganz oder nur teilweise transparent erscheinen. Die Überlagerung der verschiedenfarbigen Schatten und Projektionen lässt gleichzeitig neue Mischtöne entstehen. So ist den Serien Cubes und der formal ebenso aufgebauten Stripes die Bewegung der Rezipierenden inhärent – die Werke manifestieren sich erst durch diese.

In der Konzentration des Künstlers auf das Medium des Lichts und den mit diesem erzeugten bunten Reflektionen offenbart sich seine Nähe zum malerischen Impressionismus der frühen Moderne. Bongchull Shin präferiert eine Präsentation seiner Werke mithilfe von Sonnen- und Tageslicht. So vollzieht sich die ideale Entfaltung seiner Werke vor allem im Dialog mit Architektur im öffentlichen (Stadt-) Raum.

– Mira Nass –

© Art Venue 2024

申奉澈

申奉澈

bongchull shin
1981, born in Suwon, South Korea
Lives and works in Munich, Germany
contact
Atelier Bongchull Shin
Städtisches Atelierhaus am Domagkpark                                    Margarete-Schütte-Lihotzki-Str. 30
80807 Munich
Germany
[email protected]
+49 (0)176 327 628 52
education
Academy of Fine Arts (AdBK), Munich, Germany
Prof. Prangenberg/Prof. Karstieß
(Diploma)
Korean National University of Arts, Seoul, South Korea
(Glass Art M.A.)
Kookmin Universtiy, Seoul, South Korea
(Ceramic B.A.)
solo exhibitions
2020
Gallery Soneva, Kunfunadhoo Island Baa Atoll, Maldives
2019
Map of Light, Sotheby’s Artist Quaterly, Sotheby’s, Munich, Germany
2018
The Weight of the Shadow, Galerie Tanit, Munich, Germany
2015
The Echo of Light, Kunstraum Seven Elohim, Munich, Germany
curated by nurjungekunst.de/Staby & Schütz
2013
St. Paul Church, Munich, Germany
2010
Transparent Surface, Gallery 175, Seoul, South Korea
Alternative Space Noon, Suwon, South Korea
collections
Munich International Airport, Germany
Alexander Tutsek foundation, Munich, Germany
Glasmuseum Alter Hof Herding, Coesfeld, Germany
Sammlung Maximilian und Agathe Weishaupt, Germany
Sammlung Hackenberg, München, Germany
Collection Soneva, Maldives
group exhibition (selection)
2020
WAS SOLL DAS, Halle 50, Munich, Germany
M
oi(s), Museum MusVerre, Sars-Poteries, France
In 80 Tagen um die Welt, Zwieseler Glastage, Waldmuseum Zwiesel, Germany
2019
Towards the Sublime, Galerie Tanit, Beirut, Lebanon
Prism Fantasy, Paradise Art Space, Incheon, Korea
Die Kunst verbindet alle Welt, Pasinger Fabrik, Munich, Germany
2018
Transformation, Galerie Tanit, Munich, Germany
Licht der Welt, Catholic Academy, Schwerte, Germany
The Weight of the Shadow, Whitebox Art Center, Beijing, China
2017
Bender Schwinn Proj.2, Galerie R. Bender, Munich, Germany
Between the Lines, Galerie Tanit, Munich, Germany
Diploma Exhibition, AdBK, Munich, Germany
2016
Glas! Klar! Kunstkreis Gräfelfing, Gräfelfing, Germany
10 Künstlerische Positionen, Orangerie, Munich, Germany
Glass Now 2016, Galerie Handwerk, Munich, Germany
Annual Exhibition 2016, AdBK, Munich, Germany
Bender Schwinn Proj.1, Galerie R. Bender, Munich, Germany
Lumières du monde, Centre Intern. du Vitrail, Chartres, France
Die Dunkle Seite/Spekulatives Terrain, AdBK Munich, Germany
2015
Münchener Freiheit, Ernsting Stiftung, Coesfeld, Germany
Nichts, Hephaistos, PunktPunktKommaKunst, Munich, Germany
Annual Exhibition 2015, AdBK, Munich, Germany
2014
MKG, Museum für Kunst und Gewerbe, Hamburg, Germany
Schein, Hans-Reiffenstuel-Haus, Pfarrkirchen, Germany
Schrift & Objekt, Galerie Handwerk, Munich, Germany
Annual Exhibition 2014, AdBK, Munich, Germany
Manifesto Lucis, Kunstarkaden, Munich, Germany
Positionen des Gestaltens, Galerie Handwerk, Munich, Germany
2013
Oberb. Förderpreis für Angewandte Kunst, Freising, Germany
Strasbourg Glasbiennale, Vauban Dam, Strasbourg, France
Annual Exhibition 2013, AdBK Munich, Germany
Halo, Galerie für Angewandte Kunst, Munich, Germany
2012
Talente, Messe München, Munich, Germany
Annual Exhibition 2012, AdBK Munich, Germany
2009
Alternative Current, University of Belgrade, Belgrade, Serbia
Fragile Present, Brown Hillel Gallery, Providence, USA

© Art Venue 2024

申奉澈

申奉澈

bongchull shin
1981, geboren in Suwon, Südkorea
Lebt und arbeitet in München, Deutschland
kontakt
Atelier 706
Gertrud-Grudow-Straße 7
80807 München
Deutschland
[email protected]
+49 (0)176 327 628 52
ausbildung
Akademie der Bildenden Künste (AdBK), München, Deutschland
Prof. Prangenberg/Prof. Karstieß
(Diplom)
Korean National University of Arts, Seoul, South Korea
(Glass Art M.A.)
Kookmin Universtiy, Seoul, South Korea
(Ceramic B.A.)
einzelausstellungen
2019
Map of Light, Sotheby’s Artist Quaterly, Sotheby’s München. Deutschland
2018
The Weight of the Shadow, Galerie Tanit, München, Deutschland
2015
The Echo of Light, Kunstraum Seven Elohim, München, Deutschland
Kuratiert durch nurjungekunst.de/Staby & Schütz
2013
St. Paul’s Kirche, München, Germany
2010
Transparent Surface, Gallery 175, Seoul, Südkorea
Alternative Space Noon, Suwon, Südkorea
sammlungen
Münchner Flughafen, Deutschland
Alexander Tutsek Stiftung, München, Deutschland
Glasmuseum Alter Hof Herding, Coesfeld, Deutschland
Sammlung Maximilian und Agathe Weishaupt, Deutschland
gruppenausstellungen (auszug)
2019
Gruppenausstellung, Galerie Tanit, Beirut, Libanon (bevorstehend)
Prism Fantasy, Paradise Art Space, Incheon, Korea
Die Kunst verbindet alle Welt, Pasinger Fabrik, München, Deutschland
2018
Transformation, Galerie Tanit, München, Deutschland
Licht der Welt, Katholische Akademie, Schwerte, Deutschland
The Weight of the Shadow, Whitebox Art Center, Peking, China
2017
Bender Schwinn Proj. 2, Galerie Bender, München, Deutschland
Between the Lines, Galerie Tanit, München, Deutschland
Diplomausstellung, AdBK München, Deutschland
2016
Glas! Klar! Kunstkreis Gräfelfing, Gräfelfing, Deutschland
10 Künstlerische Positionen, Orangerie, München, Deutschland
Glass Now 2016, Galerie Handwerk, München, Deutschland
Jahresausstellung 2016, AdBK München, Deutschland
Bender Schwinn Proj. 1, Galerie Bender, München, Deutschland
Lumières du monde, Centre Intern. du Vitrail, Chartres, France
Die Dunkle Seite/Spekul. Terrain, AdBK München, Deutschland
2015
Münchener Freiheit, Ernsting Stiftung, Coesfeld, Deutschland
Nichts, Hephaistos, PunktPunktKommaKunst, München
Jahresausstellung 2015, AdBK München, Deutschland
2014
MKG, Museum für Kunst und Gewerbe, Hamburg, Deutschland
Schein, Hans-Reiffenstuel-Haus, Pfarrkirchen, Deutschland
Schrift & Objekt, Galerie Handwerk, München, Deutschland
Jahresausstellung 2014, AdBK München, Deutschland
Manifesto Lucis, Kunstarkaden, München, Deutschland
Positionen des Gestaltens, Gal. Handwerk, München, Deutschland
2013
Oberb. Förderpreis für Angewandte Kunst, Freising, Deutschland
Strasbourg Glasbiennale, Vauban Dam, Strasbourg, Frankreich
Jahresausstellung 2013, AdBK München, Deutschland
Halo, Galerie für Angewandte Kunst, München, Deutschland
2012
Talente, Messe München, Deutschland
Jahresausstellung 2012, AdBK München, Deutschland
2009
Alternative Current, University of Belgrade, Belgrade, Serbien
Fragile Present, Brown Hillel Gallery, Providence, USA

 

© Art Venue 2024

申奉澈

申奉澈

bongchull shin | 申奉澈
1981年出生于韩国水原市
生活和工作于德国慕尼黑
联系方式
Atelier 706
Gertrud-Grudow-Straße 7
80807 慕尼黑 德国
[email protected]
+49 (0)176 327 628 52
教育经历
慕尼黑美术馆学院,(AdBK),
师从Prangenberg/Karstieß 教授,慕尼黑,德国
(文凭)
韩国国立大学,首尔,韩国
(玻璃艺术专业)
国民大学,首尔,韩国
(陶艺专业)
个人展览
2019
”光明之道”, Sotheby’s Artist Quaterly,Sotheby’s, 慕尼黑,德国
2018
”光影的重量”,Galerie Tanit,慕尼黑,德国
2015
”光的回声”, Kunstraum Seven Elohim”, 慕尼黑,德国
由 nurjungekunst.de/Staby & Schütz 策展,慕尼黑,德国
2013
圣保罗教堂,慕尼黑,德国
2010
”透明表面”, 175画廊,首尔,韩国
”转变空间的下午”,水原市,韩国
收藏机构
慕尼黑国际机场,德国
Alexander Tutsek 基金会,慕尼黑,德国
Glasmuseum Alter Hof Herding 基金会,科斯费尔德,德国
Sammlung Maximilian und Agathe Weishaupt 基金会,德国
群展 (部分)
2019
”群展”,Galerie Tanit 贝鲁特,黎巴嫩 (即将到来)
”梦幻棱镜”, Paradise Art Space,仁川,韩国 (即将到来)
”用艺术连接全世界”, Pasinger Fabrik,慕尼黑, 德国 (即将到来)
2018
”转型”,Galerie Tanit,慕尼黑,德国
”世界之光”,Katholische Akademie,施韦特, 德国
”光影的重量”,白盒子艺术馆,北京,中国
2017
”Bender Schwinn Project 2”, Galerie R. Bender,慕尼黑,德国
”在线条之间”,Galerie Tanit, 慕尼黑,德国
“毕业展”,AdBK ,慕尼黑,德国
2016
“Glas! Klar! Kunstkreis Gräfelfing”,格雷弗尔芬,德国
“10 Künstlerische Positionen”, Orangerie, 慕尼黑,德国
“Glass Now 2016”, Galerie Handwerk, 慕尼黑,德国
“2016年年度展览”,AdBK,慕尼黑,德国
“Bender Schwinn Project 1”, Galerie R. Bender, 慕尼黑,德国
“Lumières du monde”, Centre Intern. du Vitrail, 沙尔特,法国
2015
“Münchener Freiheit”, Ernsting Stiftung, 科斯费尔德,德国
“Nichts”, Hephaistos, PunktPunktKommaKunst, 慕尼黑,德国
“2015年年度展览”,AdBK,慕尼黑,德国
2014
“MKG”, Museum für Kunst und Gewerbe,汉堡,德国
“Schein”, Hans-Reiffenstuel-Haus, 普法尔基兴, 德国
“Schrift & Objekt”, Galerie Handwerk, 慕尼黑,德国
“2014年年度展览”, 慕尼黑,德国
“Manifesto Lucis”, Kunstarkaden, 慕尼黑,德国
“Positionen des Gestaltens”, Galerie Handwerk, 慕尼黑,德国
2013
“Oberb. Förderpreis für Angewandte Kunst”, 弗奈辛,德国
“斯特拉斯堡玻璃双年展”, Vauban Dam, 斯特拉斯堡,法国
“2013年年度展览”,慕尼黑,德国
“Halo”, Galerie für Angewandte Kunst, 慕尼黑,德国
2012
“Talente”, Messe München, 慕尼黑,德国
“2012年年度展览”,AdBK, 慕尼黑,德国
2009
“替代当下”,贝尔格莱德大学,贝尔格莱德,塞尔维亚
“脆弱的礼物”, 布朗席勒画廊,普罗维登斯,美国

 

© Art Venue 2024

申奉澈

申奉澈

bongchull shin
1981, born in Suwon, South Korea
Lives and works in Munich, Germany
contact
Atelier 706
Gertrud-Grudow-Straße 7
80807 Munich
Germany
[email protected]
+49 (0)176 327 628 52
education
Academy of Fine Arts (AdBK), Munich, Germany
Prof. Prangenberg/Prof. Karstieß
(Diploma)
Korean National University of Arts, Seoul, South Korea
(Glass Art M.A.)
Kookmin Universtiy, Seoul, South Korea
(Ceramic B.A.)
solo exhibitions
2019
Sotheby’s Artist Quaterly, Sotheby’s, Munich, Germany (upcoming)
2018
The Weight of the Shadow, Galerie Tanit, Munich, Germany
2015
The Echo of Light, Kunstraum Seven Elohim, Munich, Germany
curated by nurjungekunst.de/Staby & Schütz
2013
St. Paul Church, Munich, Germany
2010
Transparent Surface, Gallery 175, Seoul, South Korea
Alternative Space Noon, Suwon, South Korea
collections
Munich International Airport, Germany
Alexander Tutsek foundation, Munich, Germany
Glasmuseum Alter Hof Herding, Coesfeld, Germany
Sammlung Maximilian und Agathe Weishaupt, Germany
group exhibition (selection)
2019
group exhibition, Galerie Tanit, Beirut, Lebanon (upcoming)
2018
Kabinett 1, Galerie Tanit, Munich, Germany
Licht der Welt, Catholic Academy, Schwerte, Germany
The Weight of the Shadow, Whitebox Art Center, Beijing, China
2017
Bender Schwinn Proj.2, Galerie R. Bender, Munich, Germany
Between the Lines, Galerie Tanit, Munich, Germany
Diploma Exhibition, AdBK, Munich, Germany
2016
Glas! Klar! Kunstkreis Gräfelfing, Gräfelfing, Germany
10 Künstlerische Positionen, Orangerie, Munich, Germany
Glass Now 2016, Galerie Handwerk, Munich, Germany
Annual Exhibition 2016, AdBK, Munich, Germany
Bender Schwinn Proj.1, Galerie R. Bender, Munich, Germany
Lumières du monde, Centre Intern. du Vitrail, Chartres, France
Die Dunkle Seite/Spekulatives Terrain, AdBK Munich, Germany
2015
Münchener Freiheit, Ernsting Stiftung, Coesfeld, Germany
Nichts, Hephaistos, PunktPunktKommaKunst, Munich, Germany
Annual Exhibition 2015, AdBK, Munich, Germany
2014
MKG, Museum für Kunst und Gewerbe, Hamburg, Germany
Schein, Hans-Reiffenstuel-Haus, Pfarrkirchen, Germany
Schrift & Objekt, Galerie Handwerk, Munich, Germany
Annual Exhibition 2014, AdBK, Munich, Germany
Manifesto Lucis, Kunstarkaden, Munich, Germany
Positionen des Gestaltens, Galerie Handwerk, Munich, Germany
2013
Oberbbayerischer Förderpreis für Angewandte Kunst, Freising, Germany
Strasbourg Glasbiennale, Vauban Dam, Strasbourg, France
Annual Exhibition 2013, AdBK Munich, Germany
Halo, Galerie für Angewandte Kunst, Munich, Germany
2012
Talente, Messe München, Munich, Germany
Annual Exhibition 2012, AdBK Munich, Germany
2009
Alternative Current, University of Belgrade, Belgrade, Serbia
Fragile Present, Brown Hillel Gallery, Providence, USA

 

© Art Venue 2024

申奉澈

申奉澈

bongchull shin
1981, born in Suwon, South Korea
Lives and works in Munich, Germany
contact
Atelier 706
Gertrud-Grudow-Straße 7
80807 Munich
Germany
[email protected]
+49 (0)176 327 628 52
education
Academy of Fine Arts, Munich, Germany
Prof. Prangenberg/Prof. Karstieß
(Diploma)
Korean National University of Arts, Seoul, South Korea
(Glass Art M.A.)
Kookmin Universtiy, Seoul, South Korea
(Ceramic B.A.)
solo exhibtions
2018
The Weight of the Shadow, Galerie Tanit, Munich, Germany
2015
Kunstraum Seven Elohim, Munich, Germany
curated by nurjungekunst.de/Staby & Schütz
2013
St. Paul Church, Munich, Germany
2010
Gallery 175, Seoul, South Korea
Alternative Space Noon, Suwon, South Korea
collections
Munich International Airport, Germany
Alexander Tutsek foundation, Munich, Germany
Glasmuseum Alter Hof Herding, Coesfeld, Germany
Sammlung Maximilian und Agathe Weishaupt, Germany
group exhibition (selection)
2018
The Weight of the Shadow, Whitebox Art Center, Beijing, China
2017
Bender Schwinn Project 2, Galerie Renate Bender, Munich, Germany
Between the Lines, Galerie Tanit, Munich, Germany
Diploma Exhibition, Academy of Fine Arts, Munich, Germany
2016
Glas! Klar! Kunstkreis Gräfelfing, Gräfelfing, Germany
10 Künstlerische Positionen, Orangerie, Munich, Germany
Glass Now 2016, Galerie Handwerk, Munich, Germany
Annual Exhibition 2016, Academy of Fine Art, Munich, Germany
Bender Schwinn Project 1, Galerie Renate Bender, Munich, Germany
Lumières du monde, Centre International du Vitrail, Chartres, France
Die Dunkle Seite/Spekulatives Terrain, AdBK Munich, Germany
2015
Münchener Freiheit, Ernsting Stiftung, Coesfeld, Germany
Nichts, Hephaistos, Galerie PunktPunktKommaKunst, Munich, Germany
Annual Exhibition 2015, Academy of Fine Arts, Munich, Germany
2014
MKG, Museum für Kunst und Gewerbe, Hamburg, Germany
Schein, Hans-Reiffenstuel-Haus, Pfarrkirchen, Germany
Schrift & Objekt, Galerie Handwerk, Munich, Germany
Annual Exhibition 2014, Academy of Fine Arts, Munich, Germany
Manifesto Lucis, Kunstarkaden, Munich, Germany
Positionen des Gestaltens, Galerie Handwerk, Munich, Germany
2013
Oberbayerischer Förderpreis für Angewandte Kunst, Freising, Germany
Strasbourg Glasbiennale, Vauban Dam, Strasbourg, France
Annual Exhibition 2013, Academy of Fine Arts Munich, Germany
Halo, Galerie für Angewandte Kunst, Munich, Germany
2012
Talente, Messe München, Munich, Germany
Annual Exhibition 2012, Academy of Fine Arts Munich, Germany
2009
Alternative Current, Belgrade National University, Belgrade, Serbia
Fragile Present, Brown Hillel Gallery, Providence, USA

 

© Art Venue 2024

申奉澈

申奉澈

Max Werdin
Art Direction (Catalogue, Website & Videos)
www.maxwerdin.de
[email protected]
Instagram
Vimeo
Christoph Schaller
Art Direction (Website)
Photography (O0315, Portrait of Bongchull Shin)
www.christophschaller.com
[email protected]
Instagram
Ferdinand Feldmann
Camera (Videos)
www.ferdinandfeldmann.com
[email protected]
Instagram
Vimeo
Mira Nass
Catalogue Texts (Download Section)
[email protected]
Substance
Layout (Catalogue)
www.studiosubstance.com
[email protected]
Instagram
Facebook
ArtVenue
Management
www.art-venue.com
[email protected]
GoPano
Production (360° Tour)
Photography (Four Walls (L))
www.gopano.de
[email protected]
CNP
Production (Videos)
cnp.studio
[email protected]
Instagram
Facebook
S.I.M. productions
Soundmastering (Videos)
www.sim-productions.com
[email protected]
Katy Diggory
Translation (Catalogue & Website)
[email protected]
Flo Hauck
Webdesign
www.flohauck.de
[email protected]
Instagram

 

© Art Venue 2024

申奉澈

申奉澈

Max Werdin
Art Direction (Catalogue, Website & Videos)
www.maxwerdin.de
[email protected]
Instagram
Vimeo
Christoph Schaller
Art Direction (Website)
Photography (O0315, Portrait of Bongchull Shin)
www.christophschaller.com
[email protected]
Instagram
Ferdinand Feldmann
Camera (Videos)
www.ferdinandfeldmann.com
[email protected]
Instagram
Vimeo
Mira Nass
Catalogue Texts (Download Section)
[email protected]
Substance
Layout (Catalogue)
www.studiosubstance.com
[email protected]
Instagram
Facebook
ArtVenue
Management
www.art-venue.com
[email protected]
GoPano
Production (360° Tour)
Photography (Four Walls (L))
www.gopano.de
[email protected]
CNP
Production (Videos)
cnp.studio
[email protected]
Instagram
Facebook
S.I.M. productions
Soundmastering (Videos)
www.sim-productions.com
[email protected]
Katy Diggory
Translation (Catalogue & Website)
[email protected]
Flo Hauck
Webdesign
www.flohauck.de
[email protected]
Instagram

 

© Art Venue 2024

申奉澈

申奉澈

Max Werdin
Art Direction (Catalogue, Website & Videos)
www.maxwerdin.de
[email protected]
Instagram
Vimeo
Christoph Schaller
Art Direction (Website)
Photography (O0315, Portrait of Bongchull Shin)
www.christophschaller.com
[email protected]
Instagram
Ferdinand Feldmann
Camera (Videos)
www.ferdinandfeldmann.com
[email protected]
Instagram
Vimeo
Mira Nass
Catalogue Texts (Download Section)
[email protected]
Substance
Layout (Catalogue)
www.studiosubstance.com
[email protected]
Instagram
Facebook
ArtVenue
Management
www.art-venue.com
[email protected]
GoPano
Production (360° Tour)
Photography (Four Walls (L))
www.gopano.de
[email protected]
CNP
Production (Videos)
cnp.studio
[email protected]
Instagram
Facebook
S.I.M. productions
Soundmastering (Videos)
www.sim-productions.com
[email protected]
Katy Diggory
Translation (Catalogue & Website)
[email protected]
Flo Hauck
Webdesign
www.flohauck.de
[email protected]
Instagram

 

© Art Venue 2024

申奉澈

申奉澈

Max Werdin
Art Direction (Catalogue, Website & Videos)
www.maxwerdin.de
[email protected]
Instagram
Vimeo
Christoph Schaller
Art Direction (Website)
Photography (O0315, Portrait of Bongchull Shin)
www.christophschaller.com
[email protected]
Instagram
Ferdinand Feldmann
Camera (Videos)
www.ferdinandfeldmann.com
[email protected]
Instagram
Vimeo
Mira Nass
Catalogue Texts (Download Section)
[email protected]
Substance
Layout (Catalogue)
www.studiosubstance.com
[email protected]
Instagram
Facebook
ArtVenue
Management
www.art-venue.com
[email protected]
GoPano
Production (360° Tour)
Photography (Four Walls (L))
www.gopano.de
[email protected]
CNP
Production (Videos)
cnp.studio
[email protected]
Instagram
Facebook
S.I.M. productions
Soundmastering (Videos)
www.sim-productions.com
[email protected]
Katy Diggory
Translation (Catalogue & Website)
[email protected]
Flo Hauck
Webdesign
www.flohauck.de
[email protected]
Instagram

 

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

Art Venue c/o
ARCONS GmbH
Franz-Joseph-Str. 11
80801 Munich
Germany

Managing Director: Alexander Rauscher
Trade Register (Handelsregister): 218039
Regulatory Authority: Amtsgericht München
Tax Identification (Ust.-ID): DE299707189
Telephone: +49 (0)89 215 417 71
Email: [email protected]

© Art Venue 2024

申奉澈

申奉澈

Art Venue c/o
ARCONS GmbH
Franz-Joseph-Str. 11
80801 Munich
Germany

Managing Director: Alexander Rauscher
Trade Register (Handelsregister): 218039
Regulatory Authority: Amtsgericht München
Tax Identification (Ust.-ID): DE299707189
Telephone: +49 (0)89 215 417 71
Email: [email protected]

© Art Venue 2024

申奉澈

申奉澈

Art Venue c/o
ARCONS GmbH
Franz-Joseph-Str. 11
80801 Munich
Germany

Managing Director: Alexander Rauscher
Trade Register (Handelsregister): 218039
Regulatory Authority: Amtsgericht München
Tax Identification (Ust.-ID): DE299707189
Telephone: +49 (0)89 215 417 71
Email: [email protected]

© Art Venue 2024

申奉澈

申奉澈

Art Venue c/o
ARCONS GmbH
Franz-Joseph-Str. 11
80801 München
Deutschland

Geschäftsführer: Alexander Rauscher
Handelsregister: 218039
Amtsgericht München
Ust.-ID: DE299707189
Telefon: +49 (0)89 215 417 71
Email: [email protected]

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

申奉澈

© Art Venue 2024

申奉澈

CUBES AND STRIPES

In my series cubes and stripes my desire is to unify glass and light. Depending on the way the light falls and the position of the observer, the shapes and colours of reflections change and intertwine with the textures of the wall behind. catalogue text I making-of video

Böhmischerwaldsee, 2018, 107 x 100 x 10 cm, glass, laminated

Hymnen an die Nacht, 2019, 90 x 92 x 10 cm, glass, laminated

Summer-flowers, 2019, 118 × 365 ×10 cm, glass, laminated

Blue & white, 2019, 80 x 80 cm, glass, massive glass

Alpenweg (Mountain Trail), 2015, 130 × 130 × 10 cm (panel size), glass, laminated

BW2317, 2017, 78 × 90 × 10 cm, glass, laminated

Winterliche Mondlandschaft (Winter Moon Landscape), 2017, 115 × 130 × 10 cm, glass, laminated

Dichroic 0114, 2014, 14 × 14 × 14 cm, dichroic glass, laminated

B4015, 2015, 400 × 180 × 10 cm, glass, laminated

B3614, 2014, 126 × 126 × 10 cm, glass, laminated

BW2317, 2017, 78 × 90 × 10 cm, glass, laminated

Four Walls (M), 2017, 8 × 16.8 × 11 cm, glass, laminated

M3515, 2015, 156 × 125 × 10 cm, glass, laminated

Study on Black, 2017, 60 × 60 × 10 cm, glass, laminated

A&F1917, 2017, 110 × 55 × 10 cm, glass, laminated

Four Walls (L), 2017, 10 × 18 × 13 cm, glass, laminated

B3613, 2013, 160 × 160 × 10 cm (panel size), glass, laminated

Dichroic 1216, 2016, 110 × 110 × 10 cm (panel size), dichroic glass, laminated

Blauschwarzfuchs, 2017, 132 × 109 × 10 cm, glass, laminated

VR1314, 2014, 130 × 78 × 10 cm, glass, laminated

VOR1314, 2014, 130 × 78 × 10 cm, glass, laminated

G1915, 2015, 198 × 53 × 10 cm, glass, laminated

O0916, 2016, 96 × 400 × 10 cm, glass, laminated

Flow, 2017, 76 × 105 × 10 cm (panel size), glass, laminated

O0315, 2015, 34 × 130 × 10 cm, glass, laminated

BROKEN GLASS

The driving force behind my series broken glass is my interest in language. I write statements and quotations out of glass sherds, creating conflict between form and meaning. Through this conflict, the language gains new meaning and grows. catalogue text I making-of video

To love and be loved, 2013, 160 × 130 × 7 cm (panel size), broken glass

3 Formen, 2019, 110 x 30 x 7 cm, broken glass (Photo by Christoph Knoch)

When we were young, 2019, 90x90cm, broken glass

Yes, 2014, 60 × 170 cm, broken glass

Yes, 2014, 60 × 170 cm, broken glass

Amsterdam, 2014, 120 × 15 × 7 cm (panel size), broken glass

I woke up with your name on my lips, 2014, 150 × 70 × 7 cm (panel size), broken glass

Ich habe die Liebe vergessen (I forgot the love), 2016, 120 × 90 × 7 cm (panel size), broken glass

Protect me from what I want(quote: Jenny Holzer), 2015, 147 × 110 × 7 cm(panel size), broken glass

Love Faith Hope, 2010, 150 × 150 × 7 cm (panel size), broken glass

Vergiss die Liebe (forget love), 2014, 160 × 90 × 7 cm (panel size), broken glass

Vater (Father), 2013, 125 × 25 × 7 cm, broken glass

VOID IN SOLID

Empty space is the source of my inspiration for the series void in solid. I explore the border between emptiness and saturation. Forms twisting their way through hollowed glass layers confuse the observer. Shapes within the sculptures appear solid but on further reflection the observer realizes the shapes are simply empty space. catalogue text I making-of video

Hexagon, 2016, 12 × 12 × 40 cm, glass, laminated

Geometry, 2016, 12 × 12 × 40 cm, glass, laminated

House Pagoda, 2016, 8 × 10 × 20.5 cm, glass, laminated

Rice Pagoda, 2016, 10 × 10 × 30 cm, glass, laminated

Rice Pagoda, 2016, 10 × 10 × 30 cm, glass, laminated

a b

c d

Catalogue

Exhibitions

past

Diploma Exhibition, Academy of Fine Arts, Munich, Germany, 2017 (click on picture to start 360° tour)

Broken Glass Installation, St. Paul Church, Munich, Germany, 2013

Solo Exhibition, The Echo of Light, Kunstraum Seven Elohim, Munich, Germany, 2015

Duo Exhibition, Transformation, Galerie Tanit, Munich, Germany, 2019

Upper Bavarian Prize for Applied Art, Schafhof, Freising, Germany, 2013

Group Exhibition, Bender Schwinn Project 2, Galerie Bender, Munich, Germany, 2017

Solo Exhibition, The Weight of the Shadow, Galerie Tanit, Munich, Germany, 2018

Downloads

Abstract

20180924_abstract_en.pdf

Catalogue Texts

20180924_catalogue_texts_en.pdf

CV

20190419_cv_en.pdf

Press Kit CMYK

20190419_press_kit_cmyk.zip

Press Kit RGB

20190419_press_kit_rgb.zip

申奉澈

Glass, while pivotal in my work, is merely the vessel through which my art is created. By reflecting and refracting light, my glass shapes generate something new and unique. The resulting patterns never stay the same. They emerge by coincidence and they are constantly changing depending on where the light falls and where the observer stands.

CV

 

Contact